Yuuko SirakiSei, a young man who moved into the house next door, is a super clean freak. Yuko, who was worried about her nervous husband, was worried that Sei would grow up to be just like her husband. ``Men should live more wildly.'' One day, Yuko visits Sei's room where even the remote controls are neatly lined up, and the cake she delivered falls on the floor (intentionally?). Then, when Sei screams at the sight of the tragic floor, she makes him lick her feet covered in fresh cream, and she begins to train him into a disorderly, savage man.
I'm a huge fan of chewing/mastication play. It wasn't quite enough to be called full-blown chewing play, but just getting to see Yuko Shiraki doing mouth-to-mouth food transfer was enough for me. Thank you, Director Nao Masaki!
*Yuko-chan looks lively and even more fun. I'm so relaxed that I can't even believe it's acting, doing whatever I want. There is also a Yuko-chan like this. I was even more fascinated. Yuko-chan, it was interesting. But, Karami was blown away!
Yuko Shiraki's 'dirty pervert' energy was hilarious! Even though she's a mature woman, she's a goddess-level beauty, so if she's going to push me around like an exhibitionist, I'm just like, 'Do whatever you want with me.' The teasing was a bit repetitive, so it would've been even better if there was a 'limitless ejaculation' pattern as part of the training before the guy completely turns into a masochist!
The Masaki and Shiraki combo is in top form! It’s the pinnacle of eroticism and intensity. I kind of wish the male lead had been Yuzuru Yuki! I wanted a bit more 'oomph' from the first handjob climax. There are two sex scenes, but the buildup—Shiraki Yuko's intense, theme-driven foreplay—is so detailed that the actual piston action feels a bit weak. Once they're inside, her constant talking is a bit distracting, which makes it hard to finish. That said, the piston action right before the final climax is actually pretty good. Overall, Shiraki Yuko’s sultry body is so alluring that fans will probably be satisfied with that alone.
Yuko Shiraki is amazing—she has an overwhelming cuteness reminiscent of announcer Misato Ugaki, beauty that defies her age, and top-tier eroticism. Her 'sadistic' performance is also excellent. On the other hand, this actor who appears so often is just annoying. In every M-male production, his habit of brushing the woman's hair back is incredibly irritating. If you're playing an M, just act like one. Maybe he thinks he's being helpful by making sure the woman is visible, but M-males don't do that. It's honestly really bothersome.
