
夫の淳一が経営する小さなパネル会社で経理として働いていた妻の茉莉奈。しかし、業績は不振で、小沢という男が社長をしているエネルギー会社の傘下に入る事になった。茉莉奈も経理として働く筈だったが、出社すると机は社長室へと運ばれていき、待っていた小沢に秘書となる事を勧められたのだった。そして、減額した夫以上の高給を約束し、小沢は早速、朝の日課『濃厚なモーニング接吻』を茉莉奈に求めるのだった…。










*Marina Shiraishi is attractive with her beautiful looks and plump body. Mr. Ozawa, who can be said to be the semi-main protagonist of the series, is a good match for his sexual harassment play. Because the acting is so good, it feels very natural and the bad guys who appear in the movie are made more clear. She looks plump and looks better in a suit than completely naked.
This is one of Madonna's signature 'Married Secretary' series. My complaint is that the husband's role is always so pathetic that it severely damages the quality of the drama. It's unclear why the wife would stay with him, making the drama aspect mediocre. The only thought that comes to mind is 'she deserves to be cheated on,' which is a personal negative point for this series, and this work is exactly that. The play is, as always, focused on intense licking and kissing, so the quality and excitement are high—no complaints there. In the first scene, the boss says, 'I want to have a physical relationship,' and the secretary replies, 'I can only do kissing.' The glimpse of her voluptuous legs is great, as expected of Marina. The boss berates the husband (his subordinate) for poor performance, the secretary defends him, and then the second encounter happens after she boldly claims, 'You can do anything to me, but you can't take my heart.' The transition from 'only kissing' to this without any narrative development (whether it be attraction or repulsion) is so convenient it's laughable. It's a terrible structure where the drama kills the mood before the play even gets exciting. Marina's dazed expression after being ejaculated inside is charming and conveys a sense of corruption, but if she's corrupted by sex alone, what's the point of the drama part? At home, the husband is as pathetic as ever, and their empty conversations have no substance. The next day, she adds 'morning fellatio' to her 'morning kiss' duties—the naming sense is like an elementary schooler's. Marina smiles ecstatically after being facially ejaculated. As before, there's no depiction of emotional change, so the 'I love you/I don't love you' exchange feels cold and awkward, even if they intended it to be comedic. After a business entertainment scene, they go to a love hotel. I like the lighthearted conversation at the hotel. The play is like a physical battle, and her moaning and climaxing are cute, lewd, and worth watching. The conversation after 'Have you fallen for me?'—'No, but I like sex with you the best'—is the entirety of this work. It's a very simple story: she can't refuse because it feels good, she allows her body but not her heart (though the reason is never depicted). Whether that can be called NTR is questionable, but ending with her being gifted lingerie makes sense in that context. Side note: It's strange that she calls her husband 'Shirai-kun' before joining the company (to distinguish him from Marina?), and it was annoying that she used non-existent Japanese like 'O-kuchi ni mesarete' (a mix-up of 'O-kuchi ni au' and 'O-ki ni mesu') when serving coffee. I thought the director was a stickler for dialogue...
Marina Shiraishi in a suit was very good. I was able to enjoy the 'married secretary' setting regardless.
From an erotic perspective, this is a very average work that just marks the return of a 'curvy' body type. The highlights are the curvy outfits and the oral. Regardless, the main act was just not good.
男優小沢とおるはこのシリーズに欠かせない存在ですが、この作品でも味を出しています。 心を許さない白石茉莉奈さんに対して最初は執拗なベロキス、エッチでの舐めまわし方で味を出しています。 取引先への接待時のトイレに行っている間のやりとりも定番になっています。 普段観ることのない白いスーツも良いですね。 さすがながえ監督です!!