
「ねぇ、アナタ…赤ちゃんデキたみたい。」私が放った一言に満面の笑みを浮かべて喜ぶ夫を見て、私は複雑な感情に襲われた。父が経営する会社の取引先の息子である夫と望まぬ結婚をして早10年、どうしても愛情を持つことが出来なかった。それは、学生時代に知り合った彼の存在が大きかったからかもしれない。毎月末、夫がゴルフで家を空ける時間を狙って…結婚後も私は彼との関係を密かに続けていた。そして今日もまた…。










She's an actress who keeps getting sexier, possessing both bewitching allure and elegance. Her bust, the curves from her waist to her hips, and her gestures are all wonderful.
She’s a great actress as always. Her acting is solid, and above all, that raw, palpable sex appeal is her true charm.
NTR scenarios featuring this kind of male actor lack credibility. The premise that an attractive married woman like Nanami Mineta would have an affair with this guy is just too unrealistic. There's absolutely no reason provided as to why she would choose him.
I really liked the 'sex friend' dynamic in the previous Kaori Iiyama installment, and Mineta Nanami, whom I'm seeing for the first time, was also quite good. I was skeptical about the pairing with Yuzuru Yuki, but the setup was surprisingly convincing. As per the 'slow and steady' review, I do hope Nanami's acting improves a bit. However, the intense sex with their tongues locked throughout the film was worth watching. I wish they'd improve the post-creampie scene—they should stay close and cuddle instead of pulling away immediately. Anyway, Nanami is a mother of six, which is impressive for such an alluring woman. Her sharp eyes and thin lips give her a cold vibe that's quite a turn-on. Despite her mature look, it was cute to see her tongue tremble slightly while kissing Yuzuru. I hope she appears in other popular Madonna series. I'll definitely buy them.
It’s a common genre, so I didn't expect much, but the details are quite good. The fact that the affair partner is a former student from her tutoring days adds a nice sense of immorality. The age gap with the partner, Yuzuru Yuki, makes you wonder, 'How old was the student back then?' which is a dangerous implication. The fact that her marriage was already arranged before they met, making it a relationship that could never be revealed, really seals the deal. I highly rate the effort put into the setting. The scenes emphasizing their teacher-student past were good, and the way she flatly states 'it’s not my husband’s child' upon discovering her pregnancy is perfect. It implies she was taking 'precautions' to avoid having a child with a man she doesn't love, which ties perfectly into the earlier conversation where the husband says, 'He’s so effeminate, I wonder if he’s really mine.' The sex scenes, however, are disappointing. The first one has decent kissing and intimacy, but the guy pulling out immediately after a 90-degree missionary position for a money shot is typical AV. Since it was a long-awaited encounter, I wish they had lingered with more kissing or caressing. I do appreciate that the camera work now focuses on the woman’s face and body during climax. But why are they fully dressed, with the guy even wearing a tie, after sex? In this type of film, they should be naked the whole time. If anything, maybe just an apron or a loose shirt. There are too many unnecessary scenes of them getting dressed. The final scene was also just a generic 'lower-body-focused' AV sex scene. They used a mirror, but the actress never even looked at it, which makes no sense. It ended with another quick, dry money shot. They might not see each other for a while, so a lingering, emotional climax would have been better. The actress lacked acting skills, but the direction could have covered for that. Maybe it was just a training title for a newcomer, which is common for Mamesawa lately. I’d love to see this with better direction and a more skilled actress.