
母が再婚するというので地元へ帰省した僕は、駅前の公園で偶然にも憧れの叔母・ツバキさんと再会する。そしてツバキさんと二人で母の元へ向かい、母と新しい義父に簡単な挨拶を済ませ自宅に戻ったのだが自分の部屋が母たち夫婦の物置小屋になっていて居場所が無くなっていた。そんな僕を見兼ねて叔母のツバキさんが3日間、家に泊めてあげると言ってくれた。僕は淡い恋心を思い出しながらも、その好意に甘える事になって…。










I've always liked this actress with her innocent, housewife vibe. This one wasn't bad at all.
*An older woman who you've always admired and who will fuck you as much as you want. This is exactly what is visualized. Tsubaki, who looks perfect for her age, is erotic.
*It is a forbidden relationship between an aunt and nephew, but there is a delicate sense of distance that is different from that between parent and child. A man and a woman, an aunt and nephew. In the scene where the two reunite, the aunt forcibly locks her arms around her, giving the impression of something a little different from the love of a mother. In the first scene without a blowjob, I think he felt a bit more of a man than his nephew, who had grown up as a man and returned home, even though he said it wasn't about him. The next morning, after dropping off her husband, the aunt requests something from her, but the smoldering feeling she had for her nephew was ignited, or the nephew's confession ignited a fire in the aunt's heart, which was starving for love and wanting to be loved by someone, and the moment they were alone, she couldn't hold it back. When she gets involved, she shows the composure of an older woman, but she loses herself as a woman while still being an aunt to her nephew, who has grown up as a man and has returned home. Is this your first connection? , Is this the final connection? I don't remember, but I feel like I wish we weren't aunt and nephew, and I feel like I'm happy, both as an aunt and as a woman, for my nephew to have grown up as a man and returned home. The secret things that happen to my sister and her husband while they are at home are also about my aunt and nephew, and a man and a woman. Also, I think the reason why the aunt is acting like a slut is because she wants to change her nephew's mind, who will be returning to Kyoto on the same day, so that they can stay together for as long as possible. In the actual video, when the sister, her husband and her nephew leave, they look lonely and bored. However, when her nephew returns and kisses her, she seems to be on the verge of tears, but shows a happy expression, as if he understands her feelings. The acting in this area is as expected from Tsubaki Kato.Then, after the video of the aunt drowning in sex with her nephew, the final interaction and ending begins the next morning. I won't go into details about the relationship, but in the ending, the expression on her face as she pats her nephew's head and hugs her close to her makes it seem like she really wishes they weren't aunt and nephew. As a woman, I feel that I have become a good man, and as an aunt, I feel like I am telling him to continue to do his best. That's all.
*A famous series directed by Asagiri Jo. All of the settings are slightly different, but this time it's about the three-day relationship between Dai, a bearded actor with a face that looks like he could sing, and his aunt Kato-san. It's a promise that the man pretends to go home and then comes back, but watching Kato-san's acting here, I felt like I could empathize with him as well, which was good. Fired twice in the final entanglement. Although it was very difficult to fire the first shot, the second shot was fired easily, and a huge amount flew at a great distance, making it all fake juice, but Kato-san's (probably) ad-lib performance of "...you're lying, right?" with a wry smile saves the whole work. I think this is one of the best works in the series.
Personally, I couldn't get enough of their expressions and interactions after the act, lingering in that blissful afterglow. Highly recommended.