JUL-784 - 引っ越し作業中、幼馴染の無防備デカ尻に我慢できずバックで何度も中出ししてしまった僕 北野未奈

This actress isn't great when she's actively trying to show off her butt, but for some reason, she looks amazing whenever she's acting all defenseless!

*She has such an erotic ass... It's like I'm being drawn to her.. I want to torture her erotic ass! ..Even Mina-san... showing off that defenseless erotic butt... is a sign of blaming her! ..As I expected.. I tortured her erotic butt.. I was waiting! Mina sticks out her erotic butt as if to say... Her erotic butt sticking out looks even more lewd! ..The protruding erotic ass is licked with the tongue..In addition, Mina reacts as her anus is licked thoroughly..From the perspective of the oiler, Mina-san who accepts the anal licking is also quite perverted! ..The pervert Mina sticks out her erotic ass while stuffing her cheeks with the dick in front of her.. She shows off her power and lewdness! ...Nevertheless, the sight of Mina's erotic and big butt sticking out is a sight to behold...That figure alone...is enough to be a side dish...If you push that erotic and big butt up a little when thrusting from behind...I think it will become a more lewd figure that makes use of the erotic and big butt! ..Also..I want you to do more anal torture..

Her husband is transferring to the countryside, so she calls over their childhood friend, Koichi. (Mina's conspiracy is already in motion) ↓ While making snacks in the kitchen, the husband says, 'Actually, she's always liked you, Koichi.' (She had brainwashed her husband for this day) ↓ She gets him to drink, and when he tries to leave, she forces him to stay the night. (Alcohol has a diuretic effect) ↓ That night, she seduces her husband, who is trying to be considerate of Koichi, and engages in 'seesaw play' with the bedroom door left a few cm open. (The bait) ↓ Koichi, who came down to use the bathroom, notices and watches the seesaw play in a daze, but she glances at him and doesn't stop. (First goal achieved) ↓ Next morning, when Koichi apologizes, she plays dumb. (Further baiting) ↓ Husband says he can't come home for a few days due to work, telling them to 'keep each other company' (with the cliché and selfish line, 'You're friends, right?'). (Mina's scheme to keep her husband away) ↓ Husband is gone for days; she's under the same roof with her big-breasted childhood friend, sweat-drenched, and Koichi thinks, 'If not now, when? It's gotta be now!'. (Second goal achieved) ↓ After rounds of sex, she suddenly flips the script: 'Kazuya (husband) trusted you, Koichi-kun, this is the worst.' (Strategy to induce panic in Koichi) ↓ She confesses she actually liked him all along, saying 'Keep it a secret from my husband,' completely capturing Koichi's soul. (She made him hear it from the husband, then from her, turning him into a puppet) ↓ (Repeated intercourse, omitted) ↓ Night before the move, she stops Koichi from leaving and they have one last session on a single blanket. Koichi thrusts into her with frustration as she keeps saying, 'I'm sorry (for marrying Kazuya).' ↓ Moving day, after the packing is done, she says, 'It's a safe day, so don't worry. I'll let you know if I get pregnant by my husband,' effectively stabbing him in the back and killing any lingering feelings. (A subtle way of cutting ties, final goal achieved) Summary: Since her husband Kazuya is infertile and she was desperate for a child, Mina's conspiracy to use their childhood friend Koichi during the move to conceive was, well, successfully completed. Afterword: She's beautiful, but not my type of face.

This is a fetish-focused piece featuring Mina, who has a plump yet perfectly shaped rear. I get it—I totally get it. It makes you want to just dive in; great eye for detail, Director. The scenario was well-structured and engaging, especially the scene where you peek at her lower body from under the open fridge door—that was goosebump-inducing. However, during the final act, the camera angles felt forced, and you could sense the crew's hesitation, which broke the flow. Even Mina's hip-shaking felt awkward, like she was trying too hard to highlight it for the camera, which killed the mood. I wish they had choreographed the scene better to keep the flow smooth. Maybe it's just the nature of fetish films, but the hip-shaking felt shoehorned in regardless of the context. It’s like they were so obsessed with the fetish that they lost the narrative. The intent was good, but I imagine it was difficult for Mina to perform. Honestly, the first scene had better flow and was much more exciting. It really reminded me how crucial pacing is.

The story setup in the beginning was good. However, once the actor started attacking while only repeating 'I can't take it anymore,' it all went to hell.