
Hikaru, the daughter-in-law, is pressured by her mother-in-law to have a grandchild and is forbidden from having sex until an onsen trip in one month for the sake of conception. However, on the day of the trip, she is unexpectedly refused sex by her husband. Meanwhile, the father-in-law also tries to embrace his wife but is also refused. The two, unable to control their sexual desires, head to an onsen to calm their restless bodies. And, by chance, the father-in-law witnesses Hikaru's alluring bathing figure and can no longer suppress his desire…










*In the first part of this series, the son-in-law was forced to abstain until he went to a hot spring on a family trip, and then he became lustful with the daughter-in-law's mother and impregnated her by ejaculating and ejaculating over and over again.As the series progressed, perhaps the number of bewitching mature women became less and less, and this time they also introduced the pattern of impregnating young wives. Well, that's OK, but I felt like the settings were a bit lenient. I don't think we'll ever be able to be alone together like this.
Is this really the final one? Such a shame... To end someone with this much talent after only three releases! Mitsuhikaru's libido is insane... But is this really enough? Is there nothing more coming? This is definitely a keeper, though.
*This is her third work as an actress limited to only three works. In this work, the eroticism is coming out more and more, and I feel like I'm looking forward to what's to come. And although they boldly engage in entanglement, the camera angle is too bad to express this eroticism. There are too many half-hearted camera angles that seem to avoid the joints. The missionary position at the end was good, but it lost a lot of points as an AV. Also, if you want to take a picture of your face, for example when you're doing cunnilingus, the focus is always on your face, so it's out of focus. There are too many things like this in general. I want to say that I don't just want to see faces. I think it's okay to focus on your face so often that everything around you is out of focus. Even though the actress is boldly involved, the camera angle is so bad that it ruins it. I don't want this kind of director to film this actress, but if this is her retirement film, I'd be very disappointed.
*I know there's a lot of trial and error going on with this series, but I feel like I'm in limbo. This work is quite well done, with the setting of ``Children's Bath'' being introduced in the first half, and the standard ending changed. Also, if you explain the travel itinerary according to the dangerous days, it will be much better as a prelude. It's not a good idea to cut corners by not having both the step-parents wear wedding rings, and the step-father's reason for having an affair/ruin is weak if it's just frustration, so it might have been a good idea to make the ``Children's Bath'' work for men as well. I think there could be a setting where the father-in-law is also forced to abstain, like in Jinguuji Nao's story, but I don't like the aphrodisiac setting like the Ai Mukai version. The first bath sex is powerful and worth watching, and it's also nice that after the first creampie, the creepy feeling of the stepfather cunnilingus on the sperm-filled pussy is gone. As in the previous work, the actress also shows off her high aptitude for the rape genre. The scene where she refuses to have sex with her husband was good because it showed the true feelings of a married woman who doesn't want to have a child with her ugly husband (sorry, extra), and the process of accepting her relationship with her father-in-law after that was smooth. The biggest change is karami in the men's bath. Although there are some parts that feel like pseudo-sex, the production, including the performance of the actress, is excellent and the production, in which she is made aware of the fact that she is not averse to being impregnated by her father-in-law by seeing her raped face reflected in the mirror, is wonderful. The combination with the hold and creampie tightening is perfect, and it requires the acting ability of the actress, but I really hope it becomes a standard. By the middle of it, she's already completely depressed and ready to give birth to her father-in-law's child, so the blow job and facial cumshot are more than just a waste of semen, they're marking her, so it's not bad. Before the final performance, in order to make the most of the ``Children's Bath'' setting, it might have been better to take a proper bath and then move from the hot spring to the room wearing only a yukata, as director Mamezawa sometimes does, but the sex itself is powerful, and the hold creampie is done in the middle, so the transition from cowgirl creampie to press creampie was also a good choice. The ending is simple, but it's much better than the usual one, with only the story of a married woman getting pregnant and the rest left to the imagination. Hikaru Mizuki's deep blowjobs are good, her creampie fertilization is also at a high level, and her acting and acting are comparable to Fuji Kanna's, which is far superior to newcomers.As for drama works, the best actress is the one with the intelligence. I don't know if Madonna will extend her contract since it's limited to three films, but I hope she continues as an AV actress.