
Mariko, who has only ever loved women, falls for Ririko, the wife of the house where she works as a sitter. While suffering from repressed desires, Mariko is caught by Ririko, who decides to tease her by flaunting her body. Driven by raw, uncontrollable emotion, Mariko devours Ririko, who watches with a look of sadistic pleasure.










The lesbian aspect is fine as it is, but that fiery chemistry between a man and a woman just isn't there. The setting and direction show some effort, but it doesn't really elevate the climax. There are scenes with toys, but it doesn't feel like both of them are completely lost in the moment. Sada Mariko gave a passionate performance, but Kinoshita Rinrinco felt a little lacking. Maybe this is just the limit of lesbian content.
*The first konnyaku masturbation was the best. (lol) The kiss, the kiss, the shellfish match, everything is perfunctory and there's nothing special about it. Once you use the tools, it's over. This director doesn't understand anything important.
I thought the work itself was good because it was bold. You don't often see lesbian works featuring Madonna. It was a rare piece, but using dildos on both sides was good, but I wished it had gone a little further. It would have been a bit more interesting if, after using the dildos on both sides, they had used a peni-ban to aggressively penetrate each other's holes. If there had been a peni-ban, it definitely would have been a 100-point work. Ending it there felt unsatisfying. Personally, I thought Kinoshita Ririko did a great job playing the dominant role, and the character casting was excellent. However, it lacked a bit more intense domination. It felt like shell-matching was the limit, and that was a real waste. Would a peni-ban have been more lewd and better than the double dildos? I wanted to see Kinoshita Ririko wearing a peni-ban, but it was a shame. I wanted to see Ririko bully Sada Mariko even more. It would have been good to be even more aggressive and dominate her. That's the only regret. I'm looking forward to a lesbian work starring Kinoshita Ririko. She might unexpectedly blossom as a lesbian. I'm giving it 4 stars for future expectations. I wonder if that dildo will be available at auction...
I was looking forward to this as it was Ms. Sada's first lesbian work, but honestly, it wasn't *that* impactful. The structure was similar to the lesbian work featuring Haruka Ookoshi and Sakura Sakurada from a previous Nagae production, and that Ookoshi-Sakurada pairing was better. Kinoshita-san is in the lead this time, but Sada-san actually has a better vibe for the role. There were a lot of lesbian kisses, but they felt a bit monotonous. It could have used more dynamic variation. I think it would have been better if Kazama-san, Tomoda-san, or Hojo-san โ actresses with experience in lesbian roles โ had played Kinoshita-san's part. It doesn't quite live up to the title, 'Master Nagae Director, Beyond 10 Years'.
The power dynamic between employer and maid. A hidden relationship. I rediscovered that it's works like these that really get my heart racing. The play could have used a little more variety. I wish the employer (Kinoshita Ririko) had teased the maid (Sada Mariko) a bit more. I'm also a little bothered by the hairstyle of Kinoshita Ririko's husband. I gave it a minus one point for those reasons, but it's almost perfect. The scene of them playing in an outdoor hot spring (set) in the cold weather was impressive. I hope they didn't catch a cold! To be honest, Ririko-san's energy was insane.