Reno KiyomiEntrusted with negotiations crucial to the company's fate, I went on a business trip. The reason I was entrusted with these negotiations... was because the president of the client company, Ozawa, was a man known for being a "womanizer" and "arrogant." The plan was to bring the most beautiful woman in the company and successfully conclude the deal, but... as the hospitality began, she was forced into humiliating sexual hospitality, her body being molested in front of her superiors. She managed to escape the persistent sexual harassment hospitality and return to her accommodation, but the sexual hospitality from Ozawa had only just begun...
Like other reviews say, Even when the actress changes, the plot is exactly the same, and it's getting boring. It would be nice if they at least changed the angle a bit, or filmed her figure more intimately, instead of rushing through it. Not just this work, but recent videos feel sloppy, probably due to budget constraints.
As other reviewers have pointed out, Kiyomi-san looks much better when her hair isn't covering her face. I thought the entanglement with her hair tied back at the end of 'Claim Response NTR' was the prettiest. Someone wrote about it being in a 'golden candy state,' and I understand that feeling. But sex is something humans have been doing for tens of thousands of years, so it's unlikely to change that much. What I find interesting is the individual differences that naturally emerge, no matter how much the director tries to unify things. I enjoy seeing how the reactions of the actresses are surprisingly (or subtly) different, even with the same story, dialogue, and the same actor. I'd even go so far as to say that the actors should be consistent to highlight those differences (conversely, if it's a series like 'Secret Wife Secretary' that twists the story every time, it's okay if the actors change). Of course, I don't think everyone should do the same. Kiyomi-san's reactions were consistently screaming, which was a bit monotonous, but I think that's fine as it is.
A foolishly repetitive plot. The actor is the same as always... Almost everything โ the camerawork, entanglement, phrasing, and plot โ is the same. It's an AV drama where only the actresses change, like a Kin Taro candy. There are so many of these series lately. Because it's assumed the stockings will be torn, the cheap center-seam black stockings are disappointing. I wonder if there are no more excellent production companies, screenwriters, or directors like those from the 90s and 00s?
The expression on the last heroine's face after signing the contract โ that's the heart of this series. Even though it's for the company, the arrogant president's persistent advances really come across as physically overwhelming. That alone is enough. The way she resists the brutal harassment attacks is also very realistic. It's acting that perfectly fits the heroine's character.
The actress's hairstyle this time wasn't great. Including the old-school idol-like style of 'covering your face with bangs,' her hair obscured her face and expressions, which wasn't good for her role or as an AV actress. It's much better to show her face like on the cover. The fact that Ozawa ad-libbed during the first take, saying, 'I can't see your face because of your hair,' is something she should seriously reflect on as a professional. This is Kiyomi Rena's third drama, so her acting is still a bit clumsy, and it's hard to say she's acting comfortably, but her timid, small-animal-like atmosphere and her over-the-top reactions โ loud enough to get reported for yelling in a bar โ surprisingly make it feel more intense than usual, setting realism aside. In particular, the gap between the forceful initial penetration with her crying and resisting, and the subsequent penetration where she lowers her voice and seems to psychologically accept it, is something that could be used as a reference for future directing, perhaps as another version of the series that focuses on the hidden perversions of a housewife OL. Recently, the mid-section, which had become like 'Brief Ozawa's shameful exposure play,' was improved with camerawork that focused more on the actress, which was good, but the scene in the bar still lacked the actress's exposure, which was a shame. It's not like you're a famous beach photographer, so what are you doing trying to alleviate a woman's shame or masochism? I think the actress still has a lot of room to grow, including acting more with her eyes during sex, but I can feel her sincerity and enthusiasm for the drama works, so I'm looking forward to seeing what she does next.
