
It has been 3 years since I married my husband. My husband is kind, and I have only one unsolvable complaint in my happy days. My husband wants a child, so he only engages in bland sex. One day, while this monotonous relationship continued, my father-in-law, who had retired from the company and had been staying with us for a few months, saw me having sex with my husband. After that, perhaps sensing my sexual frustration, my father-in-law secretly attacked me while my husband was sleeping…










*I bought it because I thought the debut work was good, but it was a disappointment. Mika's plump naked body and unprocessed pubic hair were nice, but the tangles were bland and I couldn't get a sense of her richness. I was hoping for the deep kiss that was shown in her debut work, but it wasn't there. I've watched it 3 times and can't get through it at all.
An actress with a relatable, girl-next-door vibe. When she gets naked, it's hard to describe, but she has a really sexy body that just draws you in. It's her first drama, but her acting is good, and she has potential. But in the important scenes, veteran Oshimas tries to show the joining part to the camera, but the camera doesn't seem to understand and only shoots her face, and doesn't respond. The camera angle for the insertion of the joining part is not good. It's not that it's not visible, but the focus is on the face, so the angle is messed up. Therefore, there are few insertion scenes. I'm tired of seeing so many production teams these days trying to shoot only faces.
A little flabby body with a sexy vibe, and a *lot* of hair (it would be even better if it grew all the way around her pubic area!), and a surprisingly ordinary face for a Madonna-type, which really got me going. An actress who makes me regret missing her debut. She looks pretty damn sexy. However, the content itself is a bit lacking. The dissatisfaction with her husband's sex is reliant on narration, and her attraction to her father-in-law feels a bit forced. I was hoping for a stickier, more intense scene at the end, but I was disappointed. Still, I have high hopes for the actress and hope she finds a good project.
I like how she's like a real wife, just so normal. That normality is kinda hot. It's not bad, honestly. The structure is a little disappointing, though. I thought the first kitchen scene was good. She's probably the type to get wet easily. And that natural membrane sound is really sexy.
I agree with those who were upset that the hype around Sumikawa's debut was overblown. Sumikawa seems like a genuinely kind person at first glance, and just a naturally attractive person – the kind of person you'd be happy to have sitting next to you at work. I tend to compare this series to the works of Director Fujitaro, which I enjoy more. I wish the opening had shown Sumikawa's full body in a long shot, and that there were more scenes that revealed her personality. On the other hand, something I always notice in Director Kimura's 'father-in-law' films is that the father-in-law is *too* eccentric. However, as soon as the scene where the father-in-law attacks Sumikawa begins, all my complaints vanished – including the feeling that the father-in-law came across as a wealthy man hitting on a hostess, and that Sumikawa's resistance was weak. What stood out most was Sumikawa's balanced, supple body, her beautiful skin, her ragged breathing, and her facial expressions – it was all incredibly erotic. It doesn't seem like she was acting particularly well, but rather reacting instinctively to Mr. Oshimas advances, and that actually made it more exciting. Even her lines, just saying 'No,' were seductive. I also think Director Kimura's close camera angles worked well for that sequence. She has a plain face, but she looks like an incredible beauty during the sex scenes – she's truly a rare talent. The final sex scene was a bit disappointing, as Sumikawa's reaction to accepting the father-in-law wasn't quite what I expected. Also, the husband isn't that flawed (whereas the father-in-law is a strange man), so Sumikawa saying things like 'Make me pregnant' feels a bit off. Wouldn't it be better if pregnancy was an unexpected event, like in Fujitaro's version? Still, overall, thanks to Sumikawa's appeal, this was a masterpiece – the best in the series in a long time. I'm looking forward to Sumikawa's next work. While her acting skills are still developing, I'd like to see her play roles where she's attacked against her will, and I think she'd look great in a suit, so I'd love to see her as a 'arrogant president of a client company' (sorry for always saying the same thing).