JUQ-681 - A haughty female boss who took her husband's place, humiliating customer service. A married woman repeatedly apologizing and experiencing orgasm while being subjected to coercive sexual acts by a malicious man. Kazama Yumi

I was about to say this work is absolutely amazing, but if I had to pick one thing, it's that the male actor wasn't the usual one. I really think the usual actor suits this kind of work better. Kazama Yumi was, as always, perfect.

Yumi-san goes to apologize for the mess her husband made. Her apology feels insincere and dismissive. She gets called out on it and ends up making the other person angry. First off, her husband is significantly older than her – like, a generation apart. You can imagine they haven't been intimate for well over 20 years. Yumi-san herself is a voluptuous woman in her prime. She gets stripped naked by the person she's apologizing to and even has a vibrator thrust at her. That's enough to make any wife starved for affection writhe in ecstasy. Yumi-san's acting in the beginning is really good. After that, it's a whirlwind of positions and techniques as Yumi-san is completely at their mercy. This is a masterpiece, seriously. Definitely worth keeping!

A work obsessed with nothing but vibrator action. I read on a Yumi-san fan site that it kept falling out during penetration, so they fixed the vibrator to her underwear with rubber. I checked, and sure enough, there was rubber... Yumi-san's writhing is quite something, and her protesting moans are cute, which is good. Well, if you're into vibrators, I'd recommend it.

I like this series and buy it regularly, but I think I had slightly too high expectations because of Yumi Kazama's starring role. It didn't quite reach five stars. Himurock is good, but I also love the early works in the series, so I'd like to see Misima direct occasionally to break up the monotony. And the male actor should definitely be Ginji Sagawa! This series has a certain depth to it.

*The previous two films in this series had a copy-pasted feel that showed the limits of direction, but perhaps the producers had something in mind, and in this film they made bold changes, starting with the casting. It's good that the husband's role has changed to an old man, but he and Yumi Kazama joined the company at the same time and got married three years ago? It's only half-hearted that it's different from the existing script. Yumi Kazama's soft demeanor really comes through, and it's hard to feel the intensity of her strong-willed and arrogant personality. Even in the first vibration play, the motor output was too weak, so you could barely hear the drive sound, and to be honest, the beginning is not the best these days. The obvious improvement started when I started playing at the entrance. It is highly rated for the fact that it seems more like an idle play than Ozawa, who immediately moved the vibrator himself, and also added the production of a married woman squeezing the vibrator too much with vaginal pressure and stopping it. In the first actual scene, the feeling of the vibrator moving before that is not good enough, and the sex that focuses on insertion and removal, without the feeling of tightening the dick with vaginal pressure or the feeling of the vagina being agitated, is also strange because it does not have a unified feeling with the vibrator torture. The married woman's reaction and sense of immorality to having the creampie sperm pushed deep inside her with a vibrator are also lacking, as is typical of Himuroku's director, and this is a light creampie production that lacks any sense of immorality. The home training scene was improved by featuring her excitement as she imagines that her husband will see her lewd appearance, and the slightly exposed feeling of her voice not stopping even though she thinks the neighbors might hear her. The scene with her husband before going to work was half-baked, including the husband's acting, but the ``Dharma-san fell down'' style where the husband uses vaginal pressure to stop the vibrator when the husband comes near is interesting. In the second half of the actual performance, like the first half, the vibrator doesn't have a good sense of drive, but in terms of the plot, it seems like the vibrator brought in from home is running out of battery, so it's tolerable. The sex itself didn't change much, and I didn't think the actor should have been Ozawa, but there wasn't anything that would have been improved by changing the actors. The expression on Yumi Kazama's face at the end is also not as satisfying and relaxing as in the Mito Kana arc, released from pressure. While the bonding scenes, such as vaginal pressure tightening play with a vibrator, are better, the sex is lacking in ingenuity and gives the impression of being half good and bad. I think they should be able to improve the sound of the vibrator, and if they improve it, it will be even better.