
Two years after marriage, Aya struggles with a husband who neglects his family and is devoted to work. Her husband's boss, Ozawa, who is close to the couple like family, proposes a hot spring trip out of concern for Aya and her husband's situation. However, even on the day of the trip, Aya's husband does not participate due to work... Aya and the Ozawa couple end up heading to the travel destination as a group of three. Aya, lost in sorrow, gets drunk at the bar attached to the inn. And she clings to Ozawa, who takes care of her, demanding physical intimacy from loneliness and intoxication. Despite his hesitation, Ozawa accepts Aya, and they become immersed in intense close-contact adulterous intercourse...










Whoa! My favorite actress, Ueba Aya, is here!! Amazing firmness, a curved waist, and a round butt… Her face is exactly my type too!! She's incredibly sexy during the scenes, and you can just go wild with it.
Ayane-san has a captivating figure, especially her surprisingly prominent breasts for her slender build. Sometimes her skin tone is overly tanned, but this work has the perfect shade. I prefer the passionate connection of a relationship where bodies just *fit*, with genuine affection, over the trope of a woman succumbing to a love potion and becoming a wanton seductress. Like in 'President's Office', I love the development where her relationship with Ozawa-san blossoms into romance. Definitely a keeper.
I initially thought it would be a simple comfort trip to the hot springs, but then her womanly switch flipped on… That moment felt so real, my heart was racing while watching. Uwa Ayane's acting is incredibly natural. She conveys the 'trembling of desire' more through her expressions and pauses than through dialogue. The process of rational judgment and instinct losing balance is depicted with such delicacy, it feels less like a typical adultery story and more like a story about 'falling into emotion'. The scenes are dense, and it focuses on showing how the woman surrendering herself becomes completely consumed. There are many long kissing and intimate scenes, and a lot of subtle, creeping advances, so it's perfect for those who prefer 'depth' over intensity. The hot spring steam and dim lighting accentuate the heat of the flesh, making it visually very erotic. The husband's absence leading to an immediate affair felt a bit abrupt, but it was more than compensated for by the erotic intersection of emotion and flesh. Personally, I was captivated by Ayane's portrayal of 'actively seeking him out'. The moment when a seemingly pure and timid wife explodes with suppressed sexuality. It made me realize that could be so sensual. It was an intensely adult and rich work with a perfect balance of guilt and allure. This is a masterpiece, seriously.
I had high expectations for the combination of Ozawa-san and Ayane-san, but the story isn't quite what I was hoping for. I would have preferred Ozawa-san to be more assertive than Ayane-san being so proactive. And Ayane-san's underwear in this one is just… lacking in taste. It doesn't feel sexy at all. Bright colors don't fit the 'wa' (traditional Japanese aesthetic) setting. It's a shame that Ayane-san's perfect body isn't being showcased properly. It feels a bit amateurish.
*The selling point of this series is the intense kissing. If the actor is Mr. Ozawa from Kiss King, my expectations are even higher. The husband of Mr. Ozawa's subordinate who is busy with work. At the Ozawa family's suggestion, they decide to go on a hot spring trip. However, on the day of the event, my husband canceled because his work was his priority. Mr. and Mrs. Ozawa and Aya went to a hot spring together. I really liked the expression on Aya's dissatisfied face towards her husband after they arrived at the room. I thought my expressiveness was better than before. Aya is drunk and taken care of by Mr. and Mrs. Ozawa. At this point, they express their dissatisfaction to Mr. Ozawa, and the kiss begins with a deep kiss. To be honest, I don't think there's any reason to ask Mr. Ozawa here. I thought that if I was going to complain about something, I would go to my wife who was accompanying me. I think it would be more natural for it to develop into lesbianism from there. I think the initial interaction was strong and good. However, Aya, who has ample breasts, should take off her bra. Madonna's recent works often feature unnecessary clothing. The second time was in the bath. This was also rich and good. In the third episode, Mr. Ozawa goes to bed at night, but I think that in this scene, Aya and his wife would normally share the same sleeping place. The relationship at the end is a development in which they clash their feelings with each other. Here too, Aya's bra remains clothed for a while. If mutual feelings explode, I think Aya will take off her clothes herself. Leaving aside the details, the interplay itself was rich and worth watching. Personally, I think it would have been even more erotic if Aya stuck out her tongue a little more and intertwined it more deeply. At the end, there is a scene where they kiss passionately at the Ozawa house, and the sunlight shining through the stained glass adds to the beauty of the scene. In the scene where my husband answers the client's phone call before kissing, even if you're not there, I still have Mr. Ozawa! You can tell by the expression on his face. Both Aya-san and Ozawa-san played their roles well, conveying a sense of immorality.