JUQ-875 - A series of events unfolding in a house turned into a garbage dump. Obsessive impregnation intercourse of the father-in-law, covered in sweat and semen. Ikeda Ayami.

Ayami-san's ripe female body is seriously sexy. It's pretty good for a first drama. I wish she had resisted a little more in the beginning with the stepfather scenes. The camera angles aren't great either. I think she's going to be a successful actress, so I'm looking forward to her appearing in a popular series. Definitely worth keeping.

It feels like these days, people with great bodies aren't getting popular in the AV industry. I don't understand it. Ikeda-san, you're the best! I'm looking forward to more raw, in-progress scenes in cheating and rape-themed content. Can I expect another masterpiece?

It's quite daring to have a rookie's second work revolve around NTR by a father-in-law. However, Ikeda Ayami's acting was too plain, lacking immersion. The setting of a garbage-filled house wasn't utilized well either. The only thing flawless was Karami's sexiness, making it a regrettable work. I'm hoping for a project that can truly showcase her charms.

This is my first time seeing this actress, and honestly, I wouldn't recommend her if you're not into mature women. But if you like Shota Chihiro, you'll definitely be hooked. What I think is great about this actress is her plump breasts and slender figure. She has long limbs, and the glimpse of underwear from her beautiful legs is really suggestive. And her voice is so cute, like a little girl's. There's a gap between her appearance and voice, and she's responsive, cute, and has a slightly sensual moan that's quite loud – honestly, her voice alone is enough to get you going. Lastly, she seems very sensitive. She probably shouldn't have said "It feels good" during the first assault scene, but the words slipped out, hinting that she likes kissing. The electric massager scene in the middle is the most exciting scene in the whole work. It's a scene where she's completely lost and falls into pleasure, and you can glimpse the actress's essential sexiness here. If you read deeper, I think this actress is a total masochist. It's a quality drama for a newcomer, and if you like what I mentioned at the beginning, it's a work that will definitely deliver. This is a real gem.

It's a newcomer actress's first drama, so the acting isn't amazing, but I like how she tries to act sincerely in each scene. The role also helps to bring out Ikeda Ayami's calm and dignified atmosphere. The trash house setting itself is cliché, and the male actors are all familiar faces, giving it a prototype-like quality that gets old quickly. The depiction of a D wife in the le○p scene is simple and good for beginners, but Ikeda Ayami's shy acting and how she gets covered are surprisingly immersive for a newcomer. However, instead of filming the newcomer actress intertwining her tongue while being covered, the camera suddenly cuts to a close-up of her fingernails, which is a self-indulgent and idiosyncratic camera work that prioritizes the director's artistry over the actress, along with the constant out-of-focus shots. It's a typical reversal of priorities in Hiroyuki Kimura's work, and it's laughable. The work itself is mediocre until the end, but Ikeda Ayami's D-like interactions show potential for the future. I hope she communicates more with the male actors not only with her voice but also with her eyes, and becomes more alluring. In the future, she will be compared to other actresses in the regular series, but I hope she doesn't disappear after three works and becomes a long-lasting actress.