Haruma YukaOne year after marriage, we moved to my husband's house and began living with my father-in-law. My father-in-law seemed to be looking forward to a grandchild, but it wasn't easily granted, and gradually the couple's intimacy decreased. My father-in-law, who had been watching this from the shadows, suddenly attacked me one day. From that day on, every day... and after 1 year, 2 years, that relationship continued, and before I knew it, my body began to crave the pleasure implanted by my father-in-law, and 4 years had passed...
*Ozawa is synonymous with a deep kiss. The transition of emotions from the beginning to the end is beautifully portrayed. It would have been nice if they could have shown a kiss so intense that it overwhelmed Ozawa-san at the end.
A quiet and pure-looking actress. On the other hand, the old man, Ozawa, uses making a child as an excuse to force himself on his young wife... how cruel. Slim but with a pretty voluminous bust. Her straight, long hair suits the... well, you know. The young, innocent wife writhes in pleasure under Ozawa's relentless back attack. Isn't that truly erotic? And then, finally, a secret affair while the husband is away... It's always the quiet ones... tsk tsk! This has a certain depth to it.
That sexy body is amazing. The acting is... well, it's passable. Definitely a good one.
Every single expression of Yomima Yuka feels so real, and her emotions are conveyed directly. Her figure is amazing, and I can't take my eyes off her every time she appears on screen. She has a very sexy vibe that draws you in. The story unfolds subtly but powerfully, and the feeling of suddenly falling into the abyss from everyday life is insane. The music also fits the scenes perfectly, and she's really good at building tension. The video quality is clearly well-made, with impressive use of light and shadow. Overall, it has a heavy atmosphere, but there's a strange power that keeps you watching. Yomima Yuka's presence firmly anchors the entire work.
*The previous work, Amamiya Kasumi's edition, seemed to be a rare masterpiece, so this work falls short compared to it. Yo has good style and sex appeal. Her sobbing voice and orgasm are also amazing. When I changed my position in the entanglement and inserted it again, it was nice to see the love juices pulling the strings so vividly. However, it is a shame that her sex appeal is that of a mature woman or a professional, and she cannot be seen as a young wife who is about to have a child. I was surprised by the opening line, "One month pregnant," but what was disappointing about this film was the change in style. Perhaps because it is now compatible with 4K, the feature of director Himuroku's work, which depicts the delicateness of women's skin, has been lost. Advances in technology are generally a good thing and cannot be stopped, but looking at the history of movies, for example, it is clear that some techniques and know-how are lost as a result. Even if the resolution increases, the ``sex appeal'' of the screen does not necessarily increase. I like Himuroku's previous films, which had a handmade feel to them, the beautiful flushing of women's skin, and the erotic nature of them, and if that were lost, a large part of the reason to watch them would be lost. The scene where the pregnancy is revealed is strangely dark, and with the introduction of 4K, it's just that the filming didn't go well for a while, but I hope that once you get used to it, the delicate images will return to what they used to be. This rating was given due to changes in the video. If it were just the content and the actress, it would be worth at least 4 stars.
