JUR-252 - "From tomorrow, we're an adulterous couple?" Drowning in the dangerous seduction of a childhood friend on the eve of my proposal

*If you base the story on things that are happening in your daily life, it will give a sense of realism, but in a fantasy that is close to delusion, it is natural for the sense of realism to fade, and I think that we need to properly structure the production and make it constructive. Personally, I think one idea might be to make an AV version of what is actually happening. However, since it's not structured in such a proper way, I sometimes feel that the erotic charm of Miss Kohana is interfering with it a bit, and I sometimes wonder if something can be done about it. If you make the drama realistic and realistic, the sense of realism will go up even more! There's no doubt about that. I feel like it's become commonplace for movies to be created based on fantasies that feel like delusions rather than reality. So, if we were to reform the AV industry, how would it change? First of all, the new AV law is said to have severe restrictions, and I sometimes think that it would be better to abolish even the smallest details of those restrictions. It's fine to protect the actress, but I also wonder if it could also be used to reflect realistic content in AV. There may be pros and cons to it, but I think it's better to make it a topic of discussion and discuss it at the table, even though viewers don't know what's going on at the scene, so they say not to interfere. In order to make it more like a drama, it would be better to have a sense of realism and presence, or to have a sense of realism.There may be various directions in terms of style, but I think we should discuss it once and abolish the restrictions of the new AV law. It's not about the new AV law, it's about the strict restrictions, and unless the restrictions are relaxed, I don't think I'll be able to accept work at a wide range of production levels! My sincere wish is for you to create works that are more realistic than pursuing realism!

*The second person to come to Tokyo and meet her childhood friend is Obananon, who becomes a married woman. Yuta was planning to propose to her, but he lost his wallet so he goes to help her. Yuta is made fun of by Non at the hotel and even pushes him down. Even though they have sex, they make fun of each other and wash each other in the shower, but they start to get horny for each other, give each other blowjobs, insert themselves, and start making out like childhood friends and lovers. Seeing Yuta on the phone with his girlfriend, Non asks him out, and Non feints a kiss! Is he irritating Yuta out of jealousy? Did she avoid kissing him because it was just an affair and he shouldn't get serious? But when it's inserted, they kiss on each other's tongues and confirm their love for each other. Yuta finds the wallet he thought was lost, and Nonon, knowing how he feels, is also happy when he cums inside her. The ending is the same as last time, Yuuta gets married and Mon-no loses his wallet again, so they continue their double affair. Non Kohana, who has been working as an exclusive member of Madonna, may not be able to play the role of stepmother, but she is well-versed in the role of a married woman, so I want her to know the joy of becoming a regular wife in ``Key Key'' and exposing her anus in ``Shameful Ass Hole.'' Tsumugi Akari was good in the first movie, so I'm happy that the second movie will be made into a series with Kohanon, so I'm hoping for a continuation with Riho Fujimori, Rio Kuribayashi, Meguri Minoshima, and other young Madonna exclusives.

*Like Non-chan's previous work, her hips in the back are erotic in this work as well! As an individual, the work was incompletely burned. . . Maybe they shouldn't have tried to make it so realistic?