JUMS-170
Premium Archive
JUR-330
JUR-330 - During my wife's pregnancy, I was forbidden even from masturbation, so I came to Tokyo and repeatedly had sex with my mother-in-law, Iroha... Morinaga Iroha
4.7Rating
Iroha MorinagaTo support my unstable pregnant wife, my mother-in-law, Iroha, came to Tokyo. My wife's stress was reduced by my mother-in-law's devoted support, but my mother-in-law was too alluring for me, who had been ordered by my wife to abstain from masturbation. One day, possessed, I peeked at my mother-in-law while she was bathing. Lost in my mother-in-law's body, I didn't realize I had been discovered. Seeing me like this, my mother-in-law suggested, "How about I do it for you with my hands?"...
She flawlessly switches between being a caring wife to her pregnant partner and radiating a subtly seductive vibe. Iroha's soft voice and bold gestures really amp up the forbidden atmosphere. The seed-planting scene is incredibly intense, and Iroha's body and expressions really make it pop.
*Although the director name of this series is Rokuzaburo Mishima, it is clear that the people inside the series are different in terms of the way they create the pictures. This time, it's not the Ono Rinka version or the Matsumoto Shoko version, but the Hayama Sayuri version, and the quality is lower. Since this is the actress' second drama, her acting skills are commensurate with that. Even in Karami, she doesn't capture the tension of not being able to speak when her daughter is at home, but the sex is worth watching, so it's a pass for a new actress. Whether it's the actress's lack of acting ability or her individuality, the light play in the beginning, which is just a blowjob and hand job, doesn't give you the erotic feeling, but it's a normal driving style that you can see in director Inabar's films, and it was good that it had a unique atmosphere. The drama scene in the middle that depicts the bond with the daughter doesn't match Miu Susaki's skill with the expressiveness of the new actress, but it's a good production, including the scene where the daughter's face flickers and they decide to break off their relationship. However, it's a poor plot to say that sexual desire is the only motivation for betraying his daughter and reviving their relationship, and overall the movie is just about sex feeling good. The abruptness of talking about pregnancy as if it was an afterthought at the end is on the same level as the Sayuri Hayama edition. The production of repeating the same lines from different angles also makes no sense. It's not as good as the previous works, which have plots where the mother returns to the female state and takes the male from her daughter, so it's a poor title for this series, but it's better in that it doesn't have the creepy scenes of a man licking his semen, which is common in Rokuzaburo Mishima's films, so I give it 3 stars, which is a bit of an afterthought.
She's playing a stepmother, but that seductive vibe is just… wow, it's completely captivating. The peeking scene in the bath was so intense! Iroha's curves glistening with water are unbelievably erotic. The scenes are steamy, and I just can't look away when Iroha's body moves.
The bath scene is insane – the way she looks at him, knowing she's being watched, is just… wow. Iroha's curves, the sheen of her wet skin, it was so erotic I couldn't breathe. The husband's struggle with abstinence felt really real, and when Iroha whispers "Let me do it for you," the forbidden thrill is *maximum*. It leads into some seriously intense action, and I was completely captivated by her seductive movements. Her voice is perfect, totally embodying the seduction. If I had a stepmom like that, I wouldn't stand a chance!
