JUR-411 - Description of a wife being subjected to coercive sexual acts by her uncle. Includes references to aphrodisiacs, marital infidelity, and female distress.

*Kaori Okano is the heroine of Ultraman Leo. If you look closely, it looks like a different person. In terms of content, it's something that Shina Aisu and Suzu Ichinose are good at. Lewd stepfather? A story about a man and his wife becoming good friends. The husband just stares at the old man having sex from outside the window, dumbfounded. After about an hour, I put a vibrator inside her pussy and stimulated her. There is no tension in the breasts and they flow, so even when photographed from a low angle, it is not good. The part where I fuck her from behind at about 1:58 has a big butt and it's pretty good. You should hit it. I'll give you my pussy back and fuck you, but aaaaaaa~. Aaaaaaa~. Say something a little more. You can't tell by aaaaaa, right? At the end, he was saying aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa. Her husband comes in at the end, but for some reason he holds her crotch alone and fades out. why? Well, is it a rework of Suzu or Kokoa Aisu? The panting voice is monotonous and boring. This old man probably can't see, but there's a scene in the 57th minute where he stares at her pussy with a celestial glass... There is some pigmentation in her pussy, probably because she rubbed it too much, but it is not torn and has a beautiful shape. It's kind of like a creampie, but since it's just an old man, no sperm comes out, so it's not like a creampie. Love juice level. disappointing! It's good to put your finger in the pussy in about 56 minutes. In any case, you should fist fuck Sayaka Aiyo's fist fuck like a piston with a shaved pussy ticket.

I missed that Kohana Non had a climax scene. It's a pretty good work with her tied up in a starfish position. The amazing nudity is a feast for the eyes. The scene where she's almost caught by her husband – the shrimp position without any aphrodisiacs, just being watched from outside for a long time… it feels more like a voyeuristic hobby. I think using a stronger aphrodisiac to get a bigger reaction would have been better.

*I want you to collect oil in your navel and then insert your finger and pick it up.

I'd really love to see Non-san play a dominant, cum-controlling executor and just completely drain them dry.

*Dramatically from beginning to end, this is the type of work that leaves the viewer to interpret it, leaving the viewer to read between the lines. There are many vague and vague depictions that do not provide clear explanations, such as the past relationship between the wife and her uncle, whose butts are touched as soon as they meet, and the couple's sex life, which seems to be conscious of the day of ovulation. The depiction of the accumulated aphrodisiac, which was not so good after the first work in the series, Ueha Aya ver, has improved with the step-by-step presentation of the fall. In Karami's production, there are more depictions of her uncle also using aphrodisiacs, and it is characteristic that she features explanatory lines about creampie injecting semen containing aphrodisiac ingredients into the uterus. Up until now, the double orgasm seemed like an excessive sexual performance, but it is now easier to understand that it is a delayed orgasm caused by an aphrodisiac penetrating the uterus. The ending seems to have lost its aphrodisiac effect so abruptly that it seems like it was a production mistake. From the husband noticing the physical relationship between his wife and uncle but turning a blind eye without seeming surprised, to the dramatic portrayal of NTR, which is no longer as explicit as it used to be, the style in which the viewer has to glean meaning from the superficial pictures until the end seems to have divided tastes. Personally, I think it was a bit too ambitious and could have been a little easier to understand, so I didn't get a perfect score. Although Kohanon was a bit miscast for the style of a strong woman who falls into a healing character, she did a good job of fulfilling the required performance both in the drama and as a character.