
It has been 3 years since I started living with my father-in-law at my husband's house. My relationship with my father-in-law is good, and I have been living a comfortable life, but… the only problem was the nighttime act with my husband. I couldn't be satisfied with the loveless, robotic sex with my husband who said, "I want to make a baby efficiently." As the days went by, my desire accumulated, and one day, it seemed my father-in-law saw me masturbating frantically in a secluded place…。










"Lewd Requiem" gets 120 minutes, Takahashi 130, Midori 140, Takeuchi 150... you can really see the director put in the work. The first interaction with Tony is around 37 minutes in, and there are only two solo scenes before that. The kitchen scene doesn't start until over an hour and 20 minutes. Most would end it there. I wish "Lewd Requiem" had this much runtime too. It'd be great if the 120-minute limit disappeared for both new and veteran directors. "Lewd Requiem" came out August 5th, and this one August 26th, so they must have filmed around the same time. Tony Ooki and Tina were both really into it, and their chemistry was insane. That's probably why the director struggled with the edit and couldn't cut anything. I highly recommend watching these two back-to-back.
He could have just pushed the knob down to silence it... "Maybe I'll live as your son-in-law in my next life...?" Women really do say things like that! When a void in their heart is filled, even for a moment... But is that just expressing "happiness," and a different feeling than "affection"? Was she feeling guilty for being caught masturbating? And wasn't it just a normal meal? The husband dreaming of efficient "baby-making" is pathetic, but the wife is even more so, as the father-in-law fills the emptiness in her heart. The fridge is still only stocked with drinks, but since the "act" is happening under the fridge light, filling it up would reduce the brightness... This scene keeps getting reused. Does someone think it's tasteful? Or is it a metaphor for "adultery," which isn't allowed under fluorescent lights? The wife hands her husband an umbrella when he leaves for work, saying, "Looks like it's going to rain tonight..." It's endearing that she still cares for him. He takes it with a dismissive look. What did she even see in him when she married him? When the husband is gone, it's the father-in-law's turn. This time, he's limited to "fellatio" based on their agreement... 😄 But don't worry, there's one more at the end! 😄😄 The father-in-law in this work feels more driven by "romantic longing" than "male instinct" compared to other appearances. It's not about whether that's good or bad, but that was the direction the director took? Or am I imagining things? I also think the father-in-law's character lacked consistency... Even if he became more comfortable after repeated encounters, he wouldn't have said something like that at the end. It feels like the director just wanted to end it that way, indulging their own preferences... Sorry if I'm wrong!
*Tina is a good actress She is beautiful, and her well-trained, plump and glamorous body is the best! She was grabbed by the buttocks in doggy style with her back arched and her big ass sticking out. The way he pistons his cock is a work of art!
More VR stuff, please! And lots of those super steamy French kisses!
*It's a really erotic body. The plump feeling is irresistible. The scene where she is enjoying the afterglow after creampie is strangely exciting.