Marina SiraisiYoshikazu went on a family trip with his aunt Marina, carrying his mother's luggage. He is inevitably tormented by her alluring figure, unchanged from the past. That night, Yoshikazu witnesses the sexual act of his aunt and uncle, and unable to sleep from excitement, he goes to take a bath alone... He is caught with an erection by Marina, who comes in to wash off the sweat. Yoshikazu, taught the pleasure of sex by her, is not satisfied with just once and repeats intravaginal ejaculation several times. Marina, who was not satisfied with her husband, also loses her mind to his reckless piston and responds passionately...
The situation and the actress were both great. I especially recommend the breastfeeding scene. Definitely a keeper!
Shiraishi Marin has been in the AV industry for a long time. I'm not usually into busty types, preferring leaner figures, so I wasn't a huge fan of hers honestly. But I've always thought she had a stunningly beautiful face, and she still radiates beauty now. It's similar to Sasaki Nozomi, who looks even more beautiful now than she did when she was younger. Shiraishi-san seems to have gotten a little slimmer than before. That said, I happened to watch this work and it was so good I had to leave a comment. Her gaze, voice, technique, and acting are incredibly erotic and I was completely captivated. I don't think she had that level of acting in her earlier works, but I suspect she studied and worked hard to figure out how to be more erotic, and developed amazing acting skills. I think it takes a lot of effort to acquire something that you can't get without listening to various opinions and digesting them yourself. Specifically, her handjob, fellatio technique, and her gaze and expressions are really good. Ultimately, even if she's not my usual type, this proves that AV can be incredibly captivating depending on the acting and direction. I'm grateful that Shiraishi Marin has continued to work in AV for over 10 years, allowing me to discover this work. Thank you from the bottom of my heart.
It feels like the difference in enjoyment I experienced with the third installment, the Kimura Reiei version, compared to the first, the Kazema Yumi version, and the second, the Koto Mariko version, is also present in the fourth, the Shiraiishi Marinna version. While it feels like all four works were produced in the same way, you can actually tell that the sensuality of the aunt, played by each actress, is different. It starts with overflowing sensuality, then moves to a teasing sensuality, and finally to an accepting sensuality. Kazema Yumi and Koto Mariko delicately portrayed this, but Kimura Reiei and Shiraiishi Marinna have a slightly different feel. The most noticeable difference is in the flow at the beginning of the final scene. If you compare the four works, you'll clearly see differences in the dialogue, pacing, and atmosphere. It's hard to explain in words, but Kazema Yumi and Koto Mariko feel more uninhibited, while Kimura Reiei and Shiraiishi Marinna feel less so. Borrowing an image from the dialogue, Kazema Yumi and Koto Mariko evoke a sense of self-pleasure, while Kimura Reiei and Shiraiishi Marinna evoke a sense of being a sexual partner. If this difference in feeling isn't captured in the direction, I think future works will suffer from a gap between what viewers see and what they want to see. I'm counting on Director Asagiri Kiyoshi's sensibilities.
Asagiri Kiyoshi's direction and high-quality visuals perfectly capture the sweet beauty and physique of Shiraiishi Marinna. The director always aims for a masterpiece, and it shows. The delicate lighting and meticulous angles really bring out the actress's charm.
