JUR-539 - I have been in a casual sexual relationship with my son's friend for 5 years. A scandalous affair with a younger man... I am lost in passionate intimacy. Misaki Hikari

Deep strokes, and it ended with just the sound of sucking, regardless of the actress. I loved how she really looked into his eyes during the fellatio. The way she says "Good" when she gets a boyfriend… the emotionless expression mixed with jealousy was actually kinda scary, haha. The second clothed sex scene, she looked amazing in the red lingerie, it really got me going. Wish they'd gone all the way.

I bought this after seeing the actress on YouTube. She really put effort into her performance, which was great.

I went in expecting the usual 'Madonna' type stuff, but thankfully it wasn't. Saw some good reviews and, being a fan of Misaki, decided to give it a watch. I think the director really wanted to portray the sadness of an older woman slowly being taken for granted by a younger lover. It's a painful situation for the woman herself, but from a male perspective, or as viewers, it can be strangely alluring and protective. Especially with a beauty like Misaki. The final scene after his affection fades was clearly where the actor put in the most effort, and Misaki's performance felt different and incredibly erotic compared to the earlier scenes. If I had to suggest something, maybe a bit more rough handling from the guy – like skipping foreplay and going straight in – would have elevated it. However, it feels like they leaned into the 'mother' trope to cater to demand, and that, combined with the storytelling, made the director's original intent a little muddled. Also, given the theme and Misaki's age, the 'high school classmate's mother' angle feels a stretch. A divorced older sister would have been more believable. The male actor, Kitayama, starts off seeming sincere, but his shift to selfishness is fantastic. His lean build suddenly makes him look like a sleazy host. You almost want Misaki to just take charge and show him how it's done. The opening shot of the camera fixed on the front door, with three men walking away and only the mistress returning, was a nice touch – classic Asagiri. My only complaint is that the scene where Misaki confronts her husband about the affair could have been better directed.

The way Hikari's legs were visibly trembling was so hot. Her begging, "Deeper…" while he held her waist from behind, and her sweet voice… you could really feel her being completely dominated by the younger guy. Top tier.

Introducing Misaki Hikari, who goes from girlfriend to something more with her son's friend. Hikari is heartbroken after finding out her husband is cheating, and her son's friend, Shiro, comforts her and confesses his feelings. That night, Shiro visits Hikari's bedroom, and she responds by stripping and asking, "Do you want me?" She gently leads the nervous Shiro, enjoying the sight of his young, firm member, licking it and teaching him how to pleasure her with his hands. But when she's penetrated, she's overwhelmed by the intensity of long-awaited sex, arching her back and taking him deep. Their relationship continues, and they go on a trip together, calling each other by name and treating each other as equals. Hikari also finds bliss in passionate sex with Shiro. When Shiro gets a girlfriend, Hikari's expressionless face is terrifying as she asks, "What's she like?" Her plea to "just stay friends with benefits" is heartbreaking. As mentioned before, she silently undresses, treating Hikari as a mere outlet for his lust, and their affectionate sex turns cold. When he turns his back, Shiro carelessly says, "She won't let me take her from behind! But it feels so good!" In the end, Shiro says, "See ya!" and leaves without looking back, and Hikari watches with an unreadable expression. Hikari's beautiful face, gentle smile, and blissful expression are erotic and beautiful, especially her nude body. I'd love to see her in "Sex with My Wife 3 Times a Week," where she's relentlessly taken from behind five days in a row, or "Sweet Whispers," where she thoroughly seduces her neighbor's member. This series was mainly focused on actresses in their 40s, but since the previous installment, they've moved to actresses in their mid-30s. It's great to see them enjoying being called by their first names by younger men and indulging in cute, affectionate sex. I hope Fuji Kanna, who filmed in June, continues the series with actresses like Aibou Ryo and Kikuchi Rinrin, who I've always wanted to see, or Ichino Aoi and Yao Mayuka, both in their mid-30s, with Asagiri as the director and the same storyline.