
Mary, a housewife working as a teacher at the same school as her husband. Unlike Mary, who is considerate and kind to her students, her husband is a cold teacher who ranks students. Mary reprimanded her husband, but that attitude brings disaster upon the two of them. Kotoda, a student reprimanded by her husband, sets his sights on Mary, his wife, and is photographed embracing the student on the verge of dismissal. The next day, Kotoda summons Mary and forces her to make the ultimate choice of whether to protect her husband or herself, and Mary takes off her clothes herselfโฆ










The story of an M teacher who gets completely controlled after having their weakness exploited was easy to understand and really good. Definitely a keeper! This is a masterpiece, I'm telling you.
It's a classic revenge plot, but Mary Tachibana's gentle approach makes you almost want to be spoiled. Though, honestly, would someone really harbor resentment over *that*? I usually skip over the blackmail plot with the photos, but it's hard to shake the feeling that there's more going on here than just that. Shouldn't they be looking for other 'materials'? Seriously, Mary Tachibana is a phenomenal actress! Her portrayal of the internal conflict โ the dilemma of compromising her principles, the disgust as a woman, the guilt towards her husband โ is incredible. It all centers around that feeling of 'Why is this happening to me?' And then, the next day, she's forced to masturbate. If you're going to make her do it, just let her do it! Stop interfering! She's definitely feeling more than yesterday, isn't she? Is it because the guilt towards her husband has vanished now that she knows he's the cause? She didn't resist the release inside her, did she? His declarations of love feel so hollow tonight. She's not initiating anything, but she's readily accepting it. And she's not getting that from her husband anymore, is she? Their physical compatibility must be off the charts. Like I suspected from the other night, they're worlds apart. So, she just gave in to her desires, right? There's absolutely no remorse from the husband for his words to the student โ not a single shred! And she casually announces the pregnancy? Why is she smiling? This is going to blow up into a mess involving at least four people. What are you planning to do, Mary?
*In the series, it's just a performance of the rape-fallen pattern, and there's not much interest in the script or direction. However, I liked that it was easy to understand that the concept of a female teacher having her weakness grasped by her student becomes addicted to ``at school,'' ``being fucked by a student's big penis,'' and ``being creampied.'' Mary Tachibana's delicate acting was good, as if she was about to climax just by having a big dick enter her, and Karami herself was powerful, and for a work by director Mishima, there is no creepy play like a man sucking a sperm-filled pussy, and the fact that the cut does not disguise a woman holding a man's waist with her legs is also highly praised. I think it was nice that they didn't cut corners, like the teacher who played the husband wearing a wedding ring. On the other hand, the actors still have a poor way of putting their hips in, and their creampie acting lacks a sense of insemination, and the actress' lines for Karami, where she only says ``it feels good,'' are also unsatisfactory. Compared to the Fuji Kanna arc, which had a well-planned revenge plot where even the pregnancy and sex with her husband were controlled, I felt that it was haphazard and the quality of the script had deteriorated. The ending of Karami also felt like a Japanese rape, which is not good enough, and if possible, I would have liked it to be unified with the concept of ``a sex slave who complies with being threatened''. Although it wasn't a bad rape pattern, there are still a lot of things that are lacking for me to give it a perfect score. Personally, I prefer the perverted fetish awakening pattern in this series, but I'd like to see them dig deeper into this one.