
Yuu, nearing graduation after leaving his parents and finishing his life in a boarding school. He left home to shake off his feelings for his stepmother, Yuki, but when he reunited with her on the way home from the graduation ceremony, she ran to wave at him, and his suppressed feelings began to rekindle. That night, Yuu takes a drunken Yuki, who lost control at a graduation celebration for the two of them, back to her lodging. Yuu tries to suppress his surging desires, but she gently kisses him, saying, "A present for you, now that you're an adult..."










Perfectly proportioned D-cup figure! She seemed really innocent at first, but the switch flipped *immediately* once things got going. Her riding position and hip movements are absolutely incredible. And her moans? Chef's kiss. Seriously, this is a keeper 갓작.
*I really like this series and watch it, but this time it was also very good! Exactly as the title says This was the work I wanted to see. The setting and actress were both great. I wanted to see this They really got into the role and you can see it on their faces.
*Yuki Takeuchi can't wait for her son-in-law's graduation ceremony and sacrifices her body to the 35th person. When Yuu sends him to the hotel where Yuki is staying, Yuki asks him to cum and cum on Yuu's cock. After the graduation ceremony and back at my parents' house, the sex is the same! In this work, six months after she started working, Yuu asks her to have sex with him in bed in front of her drunken husband! Another year later, Yuu decides to transfer and they go on a standard date and then have sex at a love hotel! The story had been consistent since the first game in the series, but it changed drastically in the second half. Even though they were so in love and had sex all the time, did they not do it between the time they got a job and the time they transferred? If Yuki Takeuchi postpones her retirement for a year and continues to be an exclusive member of Madonna, I would like to see her ``30-year-old virgin brother-in-law'' and ``the last erection of her life'' in which she indulges in an extremely compatible cock, and her pussy hair that has become sticky due to ``my uncle's reverse PtoM intercourse'', and I would like her to watch her anal in her ``shameful asshole.'' In a series where she does erotic things with a kind smile, she only momentarily feels a sense of immorality, but she doesn't feel the slightest bit of guilt toward her husband, and the sexual pleasure prevails.I want Aoi Ichino, who hasn't appeared yet, to have a forbidden pure love sex with Nami Okimiya, Iyo Shinohara, and Yuuka Niizuma, even though they are mother-in-law and son-in-law.
*I was curious about how the ending had been changed in the sample video, but the template script, which I personally didn't like until now, has now been drastically changed. Whether things will stay like this in the future or whether Yuki Takeuchi will be given special treatment because it seems like filming will take place before or after she withdraws from retirement is difficult to say until we see her next work. The opening part is the same as the previous work, but Yuki Takeuchi's eye-catching, brain-acting acting really shines in the drama part. The erotic scenes of a married woman who has been waiting until she can legally have sex with her son-in-law are of high quality. From the middle onwards, there is a major change in the plot, with the relationship continuing even after the son gets a job and enters the workforce. Personally, this was quite an accomplishment, as I had always disliked template scripts in which the relationship ended when the son left home at the end. By changing the structure from the previous ones and bringing the night sex after drinking at home to the middle, the NTR feeling of the son who has become a "man" by his stepmother and tries to steal the stepmother from his father may have been felt since the first Mito Kana arc. The creampie from the doggy style had the feeling of being inseminated by a male, and the feeling of the sperm being pushed deep into the uterus during the second sex was good, but the finish of the second half was a chin shot with a tasteful pseudo-juice. Unless you're prepared to smack it right in the middle of the male's face so that you can feel the male's markings, it's best not to do anything unnecessary. The second half begins with a farewell date when her son is going to be posted overseas, and ends with hotel sex. Yuki Takeuchi, who plays the role of deep love, is at a high level even holding creampie in order to fertilize deep in the uterus, and the synergistic effect with Yuki-kun's insemination performance is undeniable. The ending is also better than before, hinting that the relationship between the two will continue in the future. However, considering that Yuki Takeuchi is acting in a destructive type of creampie sex that might end up in trouble, it's a waste to have a structure that feels like pill-processing sex that doesn't result in pregnancy, partly due to the long time series. In that respect, I feel that the weakness of Himuroku's director, who is light on creampie, is shown. Although I have a lot of complaints, I can feel the desire of the director to try to show something different while still using the previous productions. Personally, I personally like the Rinko Kinoshita version's script the best, which has an exceptional ending, and a clear sense of domestic bigamy as the two become inseparable, but it might have been better than that.
*Takeuchi is good regardless of the story. The acting is good and Karami is erotic. She's a good actress.