Mearii TatibanaThree years ago, my mother-in-law passed away and my father-in-law became disheartened. It seems he developed erectile dysfunction. Since then, he has tried various methods such as supplements and exercise every day to cure his erectile dysfunction, but he hasn't recovered much. Seeing him seriously trying, saying "I don't want to worry my mother-in-law in heaven," I couldn't just stand by, and I agreed to help with the mixed-gender bath that my father-in-law suggested as a way to treat it from a mental perspective….
I don't really want to comment on the drama of this video. It's purely focused on capturing the female form. And within that, drama emerges. Mary Kitaru's stepfather is terrified of death, having lost his wife and feeling his own masculinity fading. He's left with nothing but waiting for the end. And the only way to resurrect that corpse? Through Mary Kitaru's body. When you see her body reflected in the mirror, a portal to death, the penis starts twitching under the clothes. It's incredible. That movement, seemingly independent of the man's will, foreshadows the rebirth of her son, brought back to life by Mary's form. The father must accept Mary as a maternal figure. This illogical belief is made possible by her body. Her body radiates sperm, enabling everything. As proof, the moment she takes his penis, her previous chastity vanishes, replaced by pure lust. The stepfather's dominance lasted only as long as he could show her his newborn penis; after that, Mary relentlessly seduces him. The life-giving woman, Mary Kitaru, is invincible against the result – the male penis. His penis doesn't wilt, but remains erect and ejaculates until his dying breath. The final scene, Mary in a shower, riding him, is like a demonic entity extracting sperm from a corpse, bringing it back to life with every thrust. This contradiction – the giver of life and the bringer of death – is made possible by Mary's body. The director's skill accurately captures the female form, but even when it's in the camera's view, it can never be conquered. Those left waiting for the penis mistake a brief erection for female conquest, enjoying their passive existence before falling into death, realizing they are orphans in the world. Amidst this suffering, Mary Kitaru gently comforts the orphan, accepting the viewer as she accepted her stepfather. We're lucky to have seen this, and the weary are embraced by Mary.
*The BGM that is inserted every now and then feels strange. The script/story is good though. Miss Mary's acting skills are well-recognized, Personally, In this movie, it seems like overacting. On the other hand, the level of excitement is deceptive. The reality of that aspect pales in comparison to Nagae STYLE and FA Pro. I would rate it a ☆4 for that aspect of the work. The drama part is okay. The karami scene in the bathroom cannot be differentiated from soap works. The fact that Mr. Abe plays the role of the father-in-law feels strange because the actual ages of the cast members of the wife (Mary Tachibana) and father-in-law (Mr. Abe) are close.
*This series has a good introduction, so I reviewed series 1. Sympathizing with her father-in-law who suffers from erectile dysfunction, the wife takes a bath with him, and his father-in-law, who has had an erection for the first time in a long time, begs to be allowed to penetrate him just once, and reluctantly allows him to do it just once. So far so good. It's not a forced insertion like in the 10-second series, but consent is obtained properly. However, the development after this is not good. From the moment it is inserted, the wife suddenly changes and becomes a lewd woman. I would like the story to progress until the end, where the father-in-law, who suffers from erectile dysfunction, is forced to reluctantly cooperate. However, there was a groundbreaking change in this work. Until now, when I washed my back, I covered my whole body with a bath towel. In the first movie, it was a fairly thick and large bath towel, but it gradually changed to a thinner and shorter one, but in this movie, Sada did not show her nakedness to her father-in-law until he allowed penetration, but in this movie, the bath towel was changed to a hand towel. What's more, she uses the hand towel to wash her father-in-law's back. The scene where the father-in-law sees his wife's naked backside in the mirror was very exciting. Also, the number of times my father-in-law caught glimpses of his wife taking off her clothes increased, which I think was a very good change. Even with the exception of the fact that his big erection, which he shows his wife by saying, "I'm erect! I'm erect!", is starting to lose its momentum, I would say that this work is worth watching so far.
Mary revives her stepfather's erectile dysfunction and then finds herself with a cock that's a perfect match. After his wife dies, the stepfather develops ED and tries everything for three years with no luck. Her husband gets pissed and tells her not to involve Mary, but Mary feels bad for him and ends up giving him a back rub in the bath, which miraculously gets him hard! It's the exact same setup as the first installment. The stepfather, thrilled to be erect, begs Mary to 'take me,' and she reluctantly gets on top. The cock fits perfectly, and her hips start moving. She says, 'You just got hard after three years, don't waste it!' and goes deep. She then gives him a cleaning blowjob, saying, 'You're still hard,' and immediately re-inserts herself, enjoying the stepfather's continuous pounding. After that, she has sex with her husband but isn't into it, more preoccupied with her stepfather's penis. She sends her husband on a business trip, licks her lips, and feels her pussy throbbing, immediately craving her stepfather! She lets him thrust into her, handjobs him while looking pleased, happily licks his anus, bites and teases his penis, and when he can't take it anymore and cums in her hand, she gazes lovingly at his cum. Mary's expression after tasting the stepfather's cock is incredibly seductive. It's cute when she takes the lead and laughs playfully, or when she tries to please him with pussy. It's also funny when she hangs up on her husband mid-call while he's trying to ask her something. Mary Kitaru's acting is on point, and she nails every role, making this a really well-done piece. Before she retires, I'd love to see her in the director's '30-Year-Old Virgin Stepbrother,' becoming a slave to a young, hard cock, or in 'Office Sex,' playing a secretary in a white suit, or 'Mommy, We Want a Baby?' where she tries to get pregnant with her stepson. The husband is controlling, telling her to 'go to a brothel, I'll pay for it,' which is the same setup as '30-Year-Old Virgin Stepbrother,' and the sex flow is almost identical. It's just that she's gone from a virgin stepbrother to an impotent stepfather. Abe Tomohiro, who plays the stepfather, is also brilliantly ridiculed by his son and seduced by his stepdaughter, losing control. Because he plays the role so well, let's keep the stepfather role fixed and continue the series with the current exclusive cast who appeared in '30,' and we'll have actresses who can recover from ED. I'm really hoping for a continuation of the series.
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