
Nana can't fall in love with her boss, Horiguchi, whom her husband adores. Although they can do their jobs, female employees are sexually harassed and harassed by power...There are countless employees who have quit. Nana was also demoted within the company due to Horiguchi's caution. On the other hand, Horiguchi wants to control the strong-willed Nana, so he visits her house as a housewarming gift and forcibly approaches Nana by threatening to demote her husband... A humiliating kiss with someone she hates, and despite her resistance, her body gradually accepts Horiguchi...










*I particularly liked the kissing scene in the debut film, so this theme for the second film was a hit with me. Nana's kissing scene is different from other actresses and draws you in. She doesn't seem to be used to the line-changing yet, so I'm looking forward to seeing how she improves in the future, but this was a work that once again made me realize Nana's charm. It looks like her next work will have a different feel, and she's an actress you can't take your eyes off of✨
Nana Miura's first drama work. The first thing I felt was the 'innocence that only exists right now.' This sense of 'first time' is a special charm that can only be felt at this very moment. Her realistic resistance in the first half was impressive; it reminded me of what she once said on SNS about the 'difficulty of acting like you dislike something even though you like it,' and the meaning really came across. Honestly, as a fan, it was so realistic that it was almost painful... but that just shows how immersive her acting is. And then the second half— The transition into the person she wants to be is truly wonderful. The charm of Nana Miura is that her feelings of 'liking it' or 'feeling good' are clearly conveyed. The chemistry with the male actor is natural, which makes it even more exciting. It's not just about being pretty; you can see her raw emotions, which makes the work worth watching. As she continues to do more dramas, her acting will surely evolve even further. This first drama, which you can only see now, and her future growth. If you support Nana Miura, this is a must-watch. Please keep making great works as a Madonna exclusive. Thank you for debuting!
*I watched Nana Miura's second drama, her first. I still feel like I'm not used to acting in the drama part, so there are some parts where I'm still getting used to it, but I can't help but want to see how hard they work. I'm looking forward to seeing how he develops in future dramas. The highlight of the work is that the first scene often focuses on the attractive buttocks. It is a scene where you can enjoy her white skin and beautiful butt from the front and back. From the middle of the second scene, the situation changes from being blamed unwillingly, and there are more scenes where he kisses and blames himself. Of course, the kissing scene and the way she uses her tongue while teasing him are sexy, but the way she looks at men is truly beautiful. Both the way Nana stares at the other person, and the way she looks at the other person with a sidelong glance, are both attractive, and I think this work is worth it just to see the way Nana looks at her. Even in the second scene, the charm of her butt is still there, and the scene where she is riding on a chair may be the best scene in this work. In the third and fourth scenes, there are more scenes of blame, and you can fully enjoy the variation of the above gaze. I think the scene where she feels and blames herself in 69 is packed with the charms of both Nana-san. After watching her first two works, I think that Nana Miura's charms are her buttocks and her gaze. I'm looking forward to seeing this weapon and its new appeal in the next release.
I was deeply impressed by this newcomer. Her expression of eroticism is superb. Above all, her love for kissing is conveyed with overwhelming intensity. The way she intertwines and extends her tongue, filled with saliva, is incredible. It's been a while since I've enjoyed a drama this much. Nana-san looks like a beauty in the jacket photos, but in the video, she comes across as more cute than beautiful. She's 32, but looks much younger. According to Kanna Fuji's blog, she tends to squirt easily and sometimes can't move afterward, so she brought a trunk full of her preferred brand of water to her debut shoot for hydration. That level of sincerity and dedication is palpable in this drama. The male actor also does a great job responding to her. I really hope they cast Nana-san in other famous Madonna series, like the President Ozawa secretary series, the 'Close Contact Sex' series, or the 'Boss and Subordinate's Wife' style productions. While she doesn't have many lines here to judge her full acting range, she seems like a hard worker, so I'm sure she'll improve quickly. One final complaint, though—and this is the director's fault—the office scene is framed so that if you look in the background, you can see the couple clearly. It actually ruins the immersion. The sex scene itself was top-tier, so I really wish they hadn't let employees be visible in the background.
Her face and body are just decadently hot. She's the best. I really hope she does some orgy scenes soon to show off what she's really capable of.