
It was self-defense―. Happy days with my beloved husband… I thought it would last forever. But from some point on, I was troubled by domestic violence. And. When I realized it, my husband was lying next to me… ‘Number 6’ that is my name now. Here, I am just a number. What awaited me was the insidious bullying of the women in the same cell and the lewd acts of the male guards. Unable to resist, I was greedily groped and assaulted under the guise of interrogation. The assault continued even in the iron bars. A hellish everyday life. But… the only way to get out of here was to just obey…










The actresses are amazing, as always, and getting even more gorgeous. Perfect for mature tastes. The plot and realism are… questionable, but I can let that slide. But… That aggressive male voice just completely kills the vibe. Seriously. Why do they *always* throw in that awful, thug-like voice during the sex scenes? It ruins the actresses' sexiness, vulnerability, and the whole atmosphere! It's so unnecessary. They need to tone down or just remove those 'ora ora' voices. After all, we're watching AV because of the actresses!
Escaping endless physical and mental violence ironically meant killing the man she once loved with her own hands. Watching Yuna Shiina's unprecedented shocked expression as she witnessed her husband die after a flowerpot hit his head when she pushed him, resulting in a fatal blow. I was impressed by the discovery of another side of her. Yuna's portrayal of the housewife's eyes, having lost their light, is sadly captivating and strongly attracts the lust of men. The frequent monologues in key parts were a plus, conveying the housewife's psychology more effectively. She is maliciously harassed by the women in the detention cell who visit her for no one. Even a brief visit with her brother is interrupted by someone stirring miso soup with their thumb, having her food stolen, and being forced to show her private parts in the toilet. Accused of having another man, the housewife, finally reaching her mental limit, attacks the women. Yuna's acting, portraying a blank mind and simply waiting for time to pass, and her outburst of anger when she can no longer bear it, is outstanding. In a solitary cell, she resists as a guard molests her magical body hidden under a simple sweater. She glares at the guard, but her beautiful face distorts under the violent caress she cannot resist. Her gaze is fixed on the cleavage spilling out of the issued underwear… This time, she consistently wears a simple sports bra and panties. A ponytail also suits her. It finishes with fellatio. Her trembling eyes, filled with humiliation as she wipes the spilled semen from her mouth, are beautiful. Along with the guard, two detectives harass her in a closed interrogation room, starting with nitpicking and then a sudden physical examination. And the demand for a confession. I personally enjoyed the sex scene while she is restrained with handcuffs. Yuna's naked body, illuminated by a stand light from the middle of the dimly lit interrogation room, is sensual. Her testimony is ignored, and she is humiliated by the men who should be on the side of justice. The men's fangs further intensify their pursuit. Screams leak from her mouth, blocked by a sex toy during vigorous thrusting in the missionary position. She stumbles, trying to escape for a moment, but there is no escape. The nightmare-like reality passes, and memories of happier times resurface. The Yuna in the flashback scene is so cute that it doubles the cruelty. A shower assault by the guard and a young detective, excluding fellatio. A beauty dripping with water. She receives a guilty verdict and engages in a 5P with a correctional officer in prison. Standing back against the bars is worth seeing. The housewife, having completed the ritual of atonement and sexual liberation, finishes her three-year sentence and gains freedom. Her expression, breaking away from her past life of misfortune, is somehow clear…
I'm reviewing this work, despite it being from my favorite actress, and I'm deliberately offering some harsh criticism. Fundamentally, the entertainment value of the drama portion, due to the planning, script, and direction, has collapsed, so I hope it either improves or the series is frozen. It originally had the potential to be interesting. If it were self-defense, she wouldn't become a female prisoner at all and would be found innocent. If it were excessive self-defense, she would be sentenced to prison with mitigating circumstances and found guilty. A drama starting from either of those points would be interesting, but aiming for both a female prisoner and an investigation storyline makes it fundamentally unrealistic. If the focus is on the female prisoner, a storyline where she is imprisoned for excessive self-defense and placed in solitary confinement at the guard's discretion would be interesting. However, there would be no investigative elements at all. If the focus is on the investigation, it would be a story before the conviction, so she would only be held in a detention center, making such a flashy development impossible. There would be no female prisoner element at all. Therefore, at the stage of trying to reconcile both elements, there is no realism at all, so it will only be a fun work that lacks realism. No matter how hard the actress tries, it's a story at a level where nothing can be done, so I want to say, "Stop it."
Something like this could happen. It's a world beyond imagination, so there's room for fantasy, and I think this work embodies it. Because I can't judge the reality, I think it's real.