Ayano KatouZuo Ji, a new graduate assigned to my department, was absent without notice for several days, and finally, less than three months after joining the company, I was informed that he had quit the company using a retirement agent. Frustrated by the selfishness of this modern young man, I was handed a ``resignation letter'' from Saji, but when I opened it, there was a piece of paper scrawled with ``Your wife was the best.'' When you say wife, do you mean Ayano, your colleague and wife? Driven by suspicion, I impulsively rushed out of the company...
*This is a wonderful work full of nuki! There were three highlights. The first one is Ayano Kato, the star of this work, wearing a white blouse and gray or navy skirt suit, looking very dignified and beautiful. Ayano, who has a reputation for her expressiveness, is able to play any role with ease, but I personally think she is best suited for the role of a competent office lady (in her previous film, ``On a Stormy Night, Trapped in the Office, Alone with the Female Boss'', I thought she was the actress who looked best in business attire). The reason why I feel the reality of the office lady played by Ayano, who works with Shinkei, is not only due to her elegant, neat, intelligent (she is actually smart!) exterior, such as her handsome face, but also the human charm that exudes from within, which has been cultivated through her own career development. Ayano is also active as a stage actress, but in a society where unreasonable job discrimination, aversion, and prejudice against AV actresses still exist, it is not hard to imagine that when she entered the world outside of the AV industry, she was not fairly evaluated for her abilities and was treated discriminatoryly and inconsiderately. The fact that she continues to work hard towards the goals she has set for herself is why I have such deep respect and love for her, but I also imagine that her strong core and strong will to persevere in a steady and steady way naturally exudes a positive influence on her ability to play the role of a working woman. Although there are almost no scenes where she actually works in this work, I was happy just to see her in a beautiful suit. The second thing is his acting ability in relationships. There are four encounters in this work, and all of them are sensual and worth watching, but especially in the first encounter, the realistic acting when he refuses to see his private parts, the expression on his face when he refuses to be penetrated, and the skill with which he says, ``Sadji-kun, this is the office.'' The third scene is the third time they are involved, and while her husband is drunk at home, she is constantly paying attention to him while having her nipples sucked and giving him a hand job. The expression on his face is a mixture of bewilderment and ecstasy. The sweaty sexual intercourse scene in the fourth episode was well done, and in the second episode, the white blouse, pink underwear, and pink scrunchie conveyed a sense of neatness and cuteness, and the contrast with the sensational underwear from the third episode onwards was good. All the actors were good at acting, and I thought they suited their characters well. The production was also very clever, such as the effective use of the reflections on the table in the third intertwining scene.
After watching the Shiina Yuna version, I thought this series had become one where 'you can just choose based on the actress,' so I had high expectations for this Kato Yuna version. I was disappointed to find that changing the direction killed the fun. It's a shame because it had a 'script you can rely on' combined with the 'guaranteed fun' of a favorite actress. The appeal of this series was the five encounters and the four stages of corruption (physical, mental, total, and post-total). The flow—being forced by a new employee, the mental corruption of not having sex despite being pressured, the supplementary corruption, the affair at the boss's house, and the final erotic climax—was what made it stable. This work ruined that. The first and last scenes are the same, but changing the order and adding sex to the supplementary scenes, reducing it to four encounters, and changing the affair dynamic destroyed the four-stage approach. The impact difference between having sex and not is huge; the key moments of corruption need that act to be effective. The brilliance of the Shiina Yuna version's structure—sex, no sex, simulated sex, sex, sex—is completely gone. Whatever the reason, if they want to keep this a good series, they need to revert the structure and focus on refining the direction.
It's good overall, but I really wish they'd do something about the endings always focusing on the middle-aged guy. They could easily use a video letter or a POV-style clip instead. I get that they want to deliver the final line themselves, but ending with a two-shot of the guy is a total turn-off.
I thought there wasn't much more to review from such a veteran actress, but this work is so hot I'm writing a quick review. She's been an actress for about 15 years, and it's amazing that she's still active as a regular for a major label. But if you watch this work (actually all her works), you'll understand why. Unchanging beauty, figure, and a butt that's more erotic than you can imagine... Veteran-level stable acting and sensual expression. She's an actress who fulfills almost all the elements you want in AV. A reliable actress, a reliable crew. A work you can buy with confidence. I personally like how the actress falls into pleasure early on in this NTR series, so my purchase rate is high. Kato Aya in this work is no exception, her face changes from the first scene and it's already erotic. Kimura director's unique shooting technique (slightly blurry or dark lighting) is also less pronounced in this work compared to previous ones. So I was able to fully enjoy Kato Aya's sensual and horny expressions, and her incredibly sexy Bomman butt and breasts. Instead of her husband, she's licked and caressed not only her pussy but also her toes, armpits, and navel, gradually melting away... A must-see for its explosive eroticism. Seriously a masterpiece. Definitely worth owning.
*Ayano Kato appears as the seventh married woman to be cuckolded by a new employee. At the same workplace, Ayano is seen kissing the manager's husband by a new employee, Saji, who then threatens to report the manager's power harassment to the company and demands his body. After that, the director threatened to expose her, and as she and Saji had sex repeatedly, Ayano drowned in pleasure and said, ``It feels so good! Maybe it won't work unless it's Saji-kun's cock? ” she moans and is ejaculated. At the beginning, Saji uses a retirement agency to send a letter of resignation and a message to the manager by mail.When he returns home feeling anxious, Saji says, ``Your wife was the best!'' ' Ayano is asleep, immersed in the afterglow of sex, unaware that her husband is there. In the previous work, they made out in the car, then returned to the office and had sex right away, but now they spend a lot of time on foreplay and have sex, and the drinking party in the office is gone, and they had sex next to the manager getting drunk, but now there is no actual sex, and it's changed to ejaculation with a breastfeeding-style hand job. When Saji tries to insert it first, Ayano naturally refuses and says, ``He (the manager) can insert it, right? Even though I like it better! ” Well, since he's her husband, she's probably able to insert it, so that's not a good reason to insert it, right? Ayano Kato has a handsome face and a beautiful body, so I want her to become a mom who sells pillows in ``Married Woman at a Luxury Club,'' show off her glamorous yukata in ``Yukizuri's Creampie Hot Spring Copulation,'' and I want her to make a series with ``My Girlfriend's Mother,'' in which she becomes an insurance salesman and seduces her daughter's boyfriend. A young subordinate seduces his boss's wife! If the continuation of NTR's classic series featuring only beautiful mature women is certain, I would like to see ace Aoi Ichino and Nami Okimiya, Maki Hojo and Akika Namba in their 40s, Meguri in her mid-30s, Rei Kimura, and Saji as they can say the deciding line for the title to the director.
