
Living in a run-down apartment, a struggling college student with no dreams finds his life turned upside down when a mysterious, beautiful woman named Ayano moves in next door. She constantly seduces him, and unable to resist her sweet whispers, he falls deep into a cycle of decadent, non-stop sex, eventually sacrificing his academic future.










*This work was filled with Ayano's charm! The whispering atmosphere was so erotic that I couldn't help but feel the adult sex appeal!
*Ayano Kato becomes the 27th married woman who feels lonely and seduces her male student neighbor. The beautiful wife next door likes the little things and does erotic things! As is typical of Madonna dramas, the actress is changed, but the sex flow is exactly the same. Jinno, a college student, is studying to graduate, but the walls of his apartment are thin and he is tired of the noise, but things change when Ayano moves in next door. After licking his ears, giving him handjobs and blowjobs, Ayano stops Jinno, who is about to go to university, and spends his days full of sex. As usual, it was decided that he would be repeating his year at university, and Jinno said, ``Please go home!'' Don't come again.'' Ayano said, ``Are you saying we're breaking up? Then try resisting! You can't live without me, right? ' When Jinno whispers, he demands it intensely, and Ayano happily accepts. Ayano Kato has good looks and acting skills, so I want her to fall in love with her childhood friend's big cock in the series ``I used to love you'', which is a series featuring beautiful mature women, to moan so much that her body arches over in ``Midsummer's Big Spasm Shrimp Warping'', which was released on the same day, and to seduce her in ``My Girlfriend's Mother,'' which will be made into a series. Director Kimura's story has been consistent since the first film in the series, and the drama part is about a husband renting a room with the intention of getting a divorce, but his wife comes with him, and he is highly dependent on men and is lewd, and it ends with a male student next door! What's more, he's a serious addict, and rather than whispering sweet whispers, he's tying me down and asking me, ``Do you want to break up? ” expression and the whisper of a smile at the end are scary every time, but it’s an interesting series, so I want Kanna Fuji, Nami Okimiya, and Iyora Shinohara to show scary smiles because they’re beautiful.
*A work by popular actress Ayano Kato. We have high expectations for the high level of acting and skill. However, the direction of this series is difficult, and many actresses struggle quite a bit. Madonna's work can be roughly divided into three directions. There are works with calm sex appeal such as neatness and chastity, works with restless sex appeal with bewitching and madness, and works with exciting sex appeal with eroticism and lewdness. The direction of the work is an unsettling sex appeal with bewitching and madness, but the direction in which Ayano Kato stands out best is a calm sex appeal with neatness and chastity, so the difficulty level increases at this point. The level of difficulty also increases for actresses whose appearance and atmosphere are erotic and lewd, with arousing sex appeal. Ayano's efforts are admirable, as this is a series that is perfect for actresses who are neither nice nor erotic, and are dragged into the swamp, but this is still a work that has some disadvantages. So, I can't say it's good or bad, but I can only say that it ended up being unavoidable due to the lack of direction. As for past works in the series, the actresses whose favorites are over 10,000 or close to 10,000... Kana Mito, Ryo Aiyu, Rinko Kinoshita, Nao Jinguji, Tsumugi Akari, Haruka Rukawa, Yuri Hirose, and Mary Tachibana exude the ``bewitchingness'' and ``madness'' that are required in this work. Other actresses either give a strong impression of neatness and chastity, or have a strong impression of eroticism and lewdness, so the level of interest that starts from accumulating is different. Moreover, the fact that this is so obvious from the opening scene makes it questionable whether or not the production side provided guidance to the actresses on acting and glamorous techniques to counter this impression. This is a series that feels like it could have changed a little if it had been handled in advance.
*This is my first time writing a review. I first saw Ayano in ``Married Female Teacher and New Female Teacher,'' and was captivated by her beauty and acting skills, which are both pure and bewitching, and I've been a fan ever since. However, due to my age, watching long AV works became physically demanding, so after ``On a Stormy Night, Trapped in the Office, Alone with My Female Boss,'' I quit watching AV and started enjoying myself exclusively through photo albums and SNS. However, when I met Ayano for the first time at an event hosted by Ayano in March of this year, I was captivated by her breathtaking beauty, the impression she gave me of her intelligence from our conversation, and her sincere, humble, and caring personality. Then, in May, I went to see a play in which Ayano appeared, and I was overwhelmed by her acting skills and presence. And after witnessing Ayano's charm as a person and her ability as an actor, I wanted to watch the AV work again. The introduction has become longer. Ayano's video work, which I saw for the first time in two years, was even more wonderful than before. Some people have said that her figure is too narrow, but I don't see it that way.She has just the right amount of flesh around her chest, waist, and thighs, and her body exudes a sexiness that suits her age, making her very beautiful. Slut stories often have unrealistic plots and I can't empathize with them, so I'm not a fan of them, but this one was different. Although they are fully clothed for about 45 minutes, the detailed descriptions of how they use their eyes and tongue, the movements of their fingertips, etc. are very vivid, and I was completely captivated by Ayano's beauty and expressiveness, as well as her skillful camera work, such as the lewd whispers, and the occasional glimpse of her underwear, and I was drawn into the sensual and dense worldview that Ayano created. Due to the setting of the drama, the actor is in a tuna state, and the whole story progresses like Ayano's one-man show, but I also liked the actor's naivety and naivety. The glimpses of underwear in the first half and the transparent nipples in the second half are really effective, and I felt that this is a good work that proves that just being completely naked is not erotic. However, it owes a lot to the actress's acting skills and beautiful appearance, which is accentuated by the clothes she wears, so I think Ayano made this work so appealing. I took a break from watching AV for a while, and during that time I got to know Ayano's personality, and I was impressed by her ability as a stage actress, and it was a special experience to see her for the first time in a while. I thought it was a miracle that such a beautiful and wonderful woman, who is expanding her career beyond AV, would still be appearing in AV works, and my heart was filled with gratitude.
The overall tone of the work is too dark. I find her much more erotic when she has that fuller figure from her older works; she's lost too much weight.