JUX-020 - Married CA Kidnapping Reiko Kobayakawa

Seeing an actress who usually delivers super-erotic performances in a [censored] scene makes you curious about what kind of acting she'll show in such an unexpected pairing. This work had a lot of hardcore scenes that you don't really see in recent Madonna releases, and I was very turned on.

The best! Reiko Kobayakawa's allure is irresistible! In a certain room, with finger, tongue, and vibrator play, she climaxes about six times. Seeing her spasm with that exact expression from the ads—I could watch that on repeat forever!

I rented it because the cover looked good, but honestly, there was nothing to see, so I just fast-forwarded until it was over. The story was so cliché I wondered why they even bothered filming on a tropical island, and it completely failed to capture Kobayakawa-san's charm. It would've been better if it were a story about her being kidnapped near the airport, drugged with aphrodisiacs, forced into a uniform striptease and public masturbation, then gang-banged by a group of men (or rather, she keeps coming back for more due to the drugs), and eventually dragging her fellow flight attendant into a lesbian scene followed by a 2-woman vs. dozens-of-men climax.

The story is cliché and poorly written, but the biggest issue is that Reiko just doesn't fit the 'rape victim' role. It might have worked if she got lost in the passion halfway through, but her 'nympho' image is just too strong. That said, her flight attendant outfit was sexy and great. I wish she'd done a striptease in that. Also, filming outside the airport is just lazy. They really needed to film inside the airport to set the mood.

I personally consider the Reiko-starring 'Female Teacher Holding Back with a Tsundere Face,' which I watched on the same day, a masterpiece. Since that one was so great, I had high hopes for this one, but... Tony Ooki's acting is as wooden as ever, and the director doesn't seem to understand Reiko's appeal at all. If you think just showing sex is enough, viewers will leave. That's why I regret renting this. (Reiko has plenty of other great works.) I don't think we need trite, tacked-on B-grade drama in adult films. Lately, Madonna's works are just too stale and ignore what the viewers actually want. Is it the arrogance of a long-standing studio? I sincerely hope the producers and the studio reflect on this.