JUX-242 - Housewife High-Leg Shame: Ai Komori

It was quite a while ago, but I once saw her make a guest appearance in a small theater play, and she was a dazzlingly beautiful girl. Later, she did a few AVs under a different name, and they were a huge part of my youth. She's a beautiful mature woman now, but honestly, it feels a bit off. Part of me wishes I had just left it as a memory of my youth. Still, I couldn't resist her sex appeal. Setting my nostalgia aside, I think it's a solid, standard mature-themed work.

This was my first time seeing this actress; she's quite pretty and the high-leg outfit was fantastic. However, the setting was just too dark. It could have been a bit simpler, don't you think? The syringe in the final scene was unnecessary.

The actress is great and the content is decent, but... I just can't get into the leotard. Well, I guess it's still better than being completely naked, though.

The beautiful mature woman Ai Komori is relentlessly caressed, rubbed, and licked while wearing a leotard. First, there's an intimate scene with her lover in a glossy leopard-print high-leg. The actor obsessively licks her armpits and crotch, and the actress doesn't hesitate to perform deep kissing and thorough fellatio—her professionalism is impressive. There's also a scene where she's being ravished by a man she dislikes. Next, in a moss-green high-leg, she's teased mercilessly with toys and writhes in agony as a vibrator is inserted. Betrayed by her lover and drugged with aphrodisiacs, she's forced into a pink leotard, brought to climax, and photographed as she spirals downward. This series features a masterpiece by Eriko Miura, where the thin leotard revealed not just her nipples and slit, but even the bulge of her crotch—a level of eroticism Ai Komori lacks, perhaps due to her less curvy physique. She looks beautiful during the intimate scenes, but it's a shame she looks a bit matronly when acting. Still, I love this direction, so 5 stars.

*Komori is best described as a mature woman who never loses her cuteness, but I think it's a bit unreasonable for a gravure idol who was once popular in this work to wear high-leg dresses again after getting married. In this work, there is a play wearing three different types of high-leg leotards, and the setting of a mature woman wearing a high-leg leotard gives off an unbalanced feeling of lewdness, but I think an actress with a more voluptuous body would have been better for that. Also, I felt a little disappointed that the play didn't have enough intensity and didn't have enough of a sense of the married woman's descent into descent.