
After my mom left because of my alcoholic dad, my life was a mess. Then, my dad brought home Kaori, a gorgeous woman with intense perfume and an incredible body. With my dad away on a long-haul trucking job, we're left alone under one roof. Let the forbidden cohabitation begin.










The story is the typical, clichรฉ Madonna fare. However, other reviews pointed out that the lead, Kaori Otonashi, looks like the actress 'Hโruka I.' from a certain highball commercial, and I had to confirm it for myself. Her pouty lips while performing fellatio are erotic. This work is just a 'sub-par' piece that you might use to get off if you fantasize about her enough. It's not Kaori Otonashi's fault; the director is just an idiot. If you want to watch Kaori Otonashi, I recommend her 'Olga' era works for that Showa-style vibe. Hey Madonna, use your head for once. Just another lifeless, contract-filler piece of trash.
*The actual performance was held twice, first with the father and finally with the son. It was good up to the point where they were alone and seduced their son, but from there it felt sloppy to pull him out twice and it felt like it took a long time until the final act.
Kaori Otonashi. Is she a housewife? A bossy office lady? A snack bar hostess? A club girl? I've always found her character positioning a bit ambiguous. Her past works often felt underwhelming, but this is the one where her charm finally blossoms. It's overflowing with that Inoue Haruka-esque eroticismโI'd call this her definitive masterpiece.
A common story. This actress has very erotic moans and dialogue. The whole thing is so overly sexualized and dramatic that I wondered if there was a point to it, but it seems there isn't really one. The acting from Abe (the father) and Nakano (the son) in the drama parts is good, and it's nice that the focus is on the son's scenes. Abe's acting, Nakano's performance, and the actress's talent are all top-notch.