JUX-293 - Tonight, I'm staying at Kaori's place. Mako Oda

I think the NTR genre was established around Takara's 'Netorareze' or the JET series, but looking back, this 'To You, I'm Staying at ○○'s House Tonight' series was also part of that genre. Out of nostalgia and because I hadn't seen this one, I picked it up. The story follows a husband who pushes his wife to help out a musician dreaming of a debut, and things escalate from there. Since it's about a musician, rock-style BGM is inserted occasionally, which feels quite unique and not like typical AV. Of course, Oda-san's dynamite body and charming personality fit the world of the film perfectly. It also hits all the key points of the series: the buildup to 'staying at the house,' and the side stories that heighten the tension through scenes in the kitchen, dinner, bath, and the morning farewell. I really hope this series, where different directors competed to create their own versions, makes a comeback.

It really makes you imagine how great it would be if something like this actually happened with the neighbor's wife. The wives in this series fall for it surprisingly easily, but it still has those classic, exciting tropes like the nude dining scene, so I really enjoyed it.

*Full of eroticism with a thick body The interaction with the male actor was good, but I really wanted to see the interaction with the husband.

It's lively and strong, and Mako Oda seems more fired up than usual. I've seen her work with this actor in Mango before, but personally, this is my favorite pairing. The curve on the actor's equipment... I'm sure Mako-chan enjoyed it quite a bit.

*Mako is desired by a young man next door, but at first she rejects him out of confusion and rationality. However, Mako's kindness creates an opening. She accepts the man's wish to be his lover for just one day and spends the night with him. Then, each time she is kissed, nipple teased, or finger fucked, she becomes confused and embarrassed, and in the end, the hoops of reason come undone. In the end, he asks for penetration, and the face he feels being penetrated changes from the face of a married woman to the face of a woman. Mako Oda erotically expresses how a married woman gradually and finally falls. Although she no longer has the toned, beautiful body she had when she was young, as she gets older, she has gained a lot in exchange for her youth. The composure and eroticism of an adult, the currently huge breasts that sag just the right amount, and the flesh of the stomach. Everything feels more erotic than before.