
Chitose, a railway guard, conducts decoy operations to catch molesters. One day, a man corners her and forces her into an unexpected, overwhelming climax. Despite her hatred for molesters, she finds herself addicted to the pleasure and secretly craving more when the man reappears.










*This is the first time I've seen this actress' work. Because I like molester things (sex things in the car), I had high expectations for this movie, but it was a masterpiece that defied my expectations in a good way. The married woman of an undercover investigator was molested on the train, then abducted by the molester and taken to a warehouse. It will be penetrated and raped. Molestation scenes are bland and there is nothing to see, but this rape scene It's excellent and worth buying for this scene alone. Even though it's rape, I say no with my mouth I didn't make much resistance, I just felt my body being played with by the molester, and he sucked my nipples. It just makes me gasp. The moaning voice gradually gets louder due to the caress of the molester, and he gives her a blowjob. Even if she is forced to do so, she obediently complies and is made to cum many times while panting from insertion to finish. This actress is not good at normal acting at all, but her SEX acting is amazing and she has a cute moaning voice. It feels really good and I'm writhing in agony. The shape of her breasts is erotic and beautiful, her right nipple is erect, and her left nipple is erect. Her nipples are slightly sunken, and she gasps in response to the actor's actions, saying, ``It feels good.'' He says lines like "I can feel it" and "I'm cumming" at key points. It's the best! The actor not only pistons, but also licks her ears, neck, feet, and touches her breasts. He gets things exciting by kissing her, and the actress responds by writhing in agony. The finish is Make the actress open her mouth and cum inside her mouth. I was hoping for a creampie, but this is it. It's naughty and good. The first sex is clothed sex with the breasts exposed, but this is also the best! So, I was very satisfied with just the first sex scene. Even though it was forced, I feel it intensely Highly recommended for those who like patterns. The next fantasy scene where she is having sex in the car was also good, but in the last part... The line in which the actress talks about her own delusions (reading from the script) is overlaid and ruined. If the sex scene were to be a little longer without any lines and ended with a creampie, I think it would have been better if it was more practical. On the way, there is a scene where the molester makes him give a blowjob in the station toilet, but this scene is Without wasting time, give a hand job and blowjob, and finally, open your mouth and ejaculate in the mouth to complete the work. I think it would be a good accent. The last sex scene has a sense of deja vu with the first sex scene. Be more lewd, "Poke more", "Dirty your pussy", "Cum inside" It would have been full marks if there was a line like that.
Chitose Hara is so pretty and beautiful... Her skin looks soft and lovely too... The moaning scenes are beautiful... There were so many captivating moments that I had plenty of material to work with... Thanks for the good time... Much appreciated...
*During a decoy investigation, an aphrodisiac was applied to my pussy... Molested, kidnapped, raped... But I can feel it! It seems disgusting.
If it's an undercover decoy operation for gropers, Chitose Hara is the perfect agent for the job. It was erotic and great how she couldn't help but get turned on and climax, even though she wasn't stripping, especially since she should have been arresting them immediately. The groping scene on the train isn't long, but as someone who rides the train daily, I often find other works drag on too long between stations, so I actually thought this film's pacing was just right.
However, if the actress isn't fully immersed or doesn't get proper direction, it sounds like she's just reading from a script, which kills the mood. I keep checking back every now and then, but I haven't found a work yet where the internal monologue/voice acting feels truly natural.