
A massive typhoon traps my wife away from home, leaving me alone with her best friend, Eriko, who shows up soaking wet. I’ve always had a thing for her since before I was married. As the storm intensifies outside, the tension between us becomes unbearable. With the sound of heavy rain masking our movements, we cross the line into an illicit night of passion.










美顔で喘ぎ声が興奮させる三浦恵理子さんですが、本作では妻の親友の設定でしたが、年齢的に妻の会社の上司若しくは先輩の設定の方が合っていたのではと思いました。絡みはいつも通りに興奮します。
It's not bad, but... this series has been so good lately that I'm torn on how to rate it. Miura-san is a woman in her prime, so as a fan of mature women, she's right up my alley. I own her debut work, of course. I'd love to see a remake of this in a modern version. Since the new releases in the Shiraki Yuko and Kozai Saki series were so good, I'd really love to see remakes featuring the earlier actresses of this series. Miura-san has a stable acting style, though it can feel a bit over-the-top at times, but her sexiness makes up for it. She's a truly beautiful mature actress. You can clearly see the progression in her performance across the three scenes leading to the climax (the second one is oral). Personally, I'm a bit lenient with my ratings since I love the actresses in this series.
It's supposed to be the wife's friend, but since she doesn't appear with the wife, it just feels like a standard mature woman flick. I was hoping for that complex tension with the wife, so it's a bit of a letdown.
This is my first time watching a Miura work. She has that 'girl-next-door' beauty that makes her really likable. It actually makes me want to check out her other works.
Miura, who was a Madonna exclusive actress before this, has appeared in 21 solo works, but most of them are mediocre or terrible, and this is one of them. Miura has some truly great works under 'Attacker' and 'Tameike Goro,' which include her best performances. In my subjective opinion, the only directors who managed to get good work out of her at Madonna are 'JO STYLE' and 'Rabbit Takesu,' and maybe to a lesser extent, 'Joji Kawai' and 'Joji Koga.' The premise—where Riko Miura spends the night with her friend's husband during a storm, has sex three times, makes him finish once, and leaves the house in the morning—is just too lazy, isn't it?