
Yuka, a happily married woman of 3 years, has her peaceful life shattered when a stranger breaks into her home. The man occupies her house, ravishing her day and night. Despite her initial resistance, the endless cycle of abuse begins to break her spirit, and soon, her body starts craving the very thing that destroyed her life.










*Yuka Oshima, it may have been a little over a year since her debut and she was getting used to filming, but this is one of my favorite works because you can enjoy the eroticism that is still relevant today. In the scene where the escaped prisoner first breaks in and is raped, she has good sensitivity as she squirts repeatedly. In particular, I can enjoy the twitching on the sofa, the twitching of my pussy, and Yuka's sensual expressions at the same time, so much so that I end up cumming there every time. Although the screen and angle in the final encounter are a little unsatisfying, you can enjoy her grown-up special skills such as the unpleasant hip shaking when sitting face to face and the hyper blowjob that seems to be playing with the penis. Although the composition is simple, I think Yuka has created enough highlights.
Yuka-san's M-side really comes out during ravishment or forced situations~ She says she hates it, but!? She gives in to the pleasure!? Her blowjob face and the close-ups during doggy style are so lewd~
There were plenty of chances to call the police or escape, but she chooses to hide him and enjoy the affair. Isn't the house too luxurious for an average salaryman? She even lays out bedding for a criminal, then says 'I've reached my limit...' while clearly enjoying it. Honestly, I got sick of it and stopped watching. This actor 'Chintaro'โhe was in an Isshiki production doing the same thing, and he's just bad. All he does is finger and lick; if you're going to violate her, just thrust! It's frustrating. I thought he used to have a tougher image, but he's gone soft. Madonna productions seem obsessed with the 120-minute runtime. It's just pointlessly long and drags on. I'd prefer a tighter 90-minute edit. Finally, Oshima-san, that ribbon hairstyle at the end really doesn't suit you. The perm was bad enough, but the ribbon hair made me turn it off.
*The first time I saw Yuka Oshima was in this movie, ``The days of the endless torture that attacked me...''. I still remember the excitement I felt when I saw this work for the first time. It was so erotic and erotic that I couldn't bear it. A frightened expression when being attacked and raped. A pleading expression while looking into a man's eyes when he begs for forgiveness from a man. It's truly gorgeous and exquisite. Yuka's deep sensual techniques are exquisite in all scenes, but especially the fingering and cunnilingus are the best. Her genitals are played with with her fingers and she squirts, and she is played with cunnilingus and squirts. It's obscenely obscene and sensational. Her beautiful profile as she moans in pain during the blowjob is masochistic and makes me salivate. The scene where she continues to be raped every day is depicted in the digest, but it is also quite erotic. The final scene where she throws herself away and is embraced and intertwined with each other is a passionate performance by Yuka, and it is deeply erotic. Her facial expressions, gestures, voice, and eyes are the best, stimulating our crotches.
The actors are both great, but is it the direction? I don't feel any sense of violation at all. If they've just escaped from prison, shouldn't they be more desperate and forceful? It's a shame.