
It's been three years since mom passed, and dad brings his mistress over every Friday night. I've always secretly lusted after her while watching them together. When a massive typhoon traps us alone in the house, she shows up soaking wet. With my dad stuck at work, the stage is set for a night we won't forget.










*I'm intrigued by the way Oda-san's voluptuous buddy can be seen through her wet clothes. This is Eloi. (I would like to give it a 5 star for that). There are some comments about the image being dark, but I think it's good because it shows the feeling. The story (screenplay) is definitely a demerit.
Mako Oda has a mixed-race look and massive breasts; she seems like great material, but there are way too many dark scenes. It's especially noticeable in the shower scene. It's not that you can't see anything, but the poor visibility is a huge negative. They should use other ways to set the mood. Since she's so well-endowed, her cowgirl scenes could have been spectacular, so it's a real waste.
Frankly speaking, the writer has zero sense. They went through the trouble of casting Oda-san, so I can't understand why they chose a mistress setting. Settings that actually get you excited are stepmothers, stepsisters, female teachers, or the housewife next door. It's such a waste of potential!
As mentioned in other reviews, the screen is too dark and there are too many shadows, which kills the mood. You can't even see Mako's great body properly. It's impossible to get off to this. I get the atmosphere they were going for, but it's not watchable.
I feel bad saying this to Odama-ko, but... story aside, the screen is so dark it's unwatchable. What kind of cinematography sense do the producers have? It's a classic case of ignoring the viewer and indulging in the creator's own self-satisfaction!