
Nao, a housewife in a stale marriage, seeks an escape through a home massage service. The therapist, Oshima, senses her hidden masochism and binds her with ropes. Trapped like a fly in a web, Nao finds her body betraying her, dripping with desire.










Her voluptuous figure is irresistible. Nao-san's charm and sexiness are doubled... it's just too erotic.
Hmm, I've thought about it and imagined it, but rope doesn't suit Nao-chan; it feels off. Even watching her act, the bondage feels unnatural. Even if she's the type with a masochistic vibe, it doesn't align with the direction of the shadow she carries. I've mentioned in other reviews that mixing SM elements into a 'downfall' narrative feels like a half-baked directorial choice, and here it just ruins the balance and flow of the work. The compatibility between massage and rope is also questionable. Massage alone is a genre in itself, so is the rope really necessary? I've written before that layering elements like a trashy room and drugs is a bad idea, and I think this is the same thing.
*Nao-chan is young! Also, is there a purpose behind the deliberately lame narrative? Her body was soft, her baby-faced breasts didn't droop, her nipples were still pink, her lower abdomen was slightly roomy but naughty, and her penis, inner thighs, and calves made me want to touch them. Unfortunately, she didn't have much tantalizing pubic hair yet. After all, young Nao-chan is good to buy and masturbate with. Nowadays, there are many slut roles, and Nao-chan who is humiliated and orgasms is the best. I don't really like Oshima-kun (he has co-starred with him in two films), but he does a good job of leading Nao-chan, who has just made her debut. It was worth seeing the pictures taken from below with her legs spread and inserted. Last back insertion, missionary position. I think Nao was really feeling it as she was also licking her clit. If the mosaic were thinner, it would be the best and would be considered one of Nao's works of all time. Another disappointing thing about the lack of pubic hair was that I couldn't see the mole on the side of her anus.
It's a valuable piece as Nao Jinguji's first bondage-free work, but unfortunately, the male actor is Jo Oshima.
I bought this, but my impression is that itโs just standard sex while tied up. There aren't many exciting scenes. If anything, the bondage just makes Nao Jingujiโs dark areolas look exaggerated. Itโs fresh that sheโs hairless, but the mosaic is so heavy that even when she spreads her legs or they zoom in on the penetration, you canโt see anything, which is a shame. Her acting and expressions are great, but I wish she had more dialogue than just moaning during the act. The only thing that got me a little excited was her back while tied up; her big butt, thick thighs, and overall voluptuous figure were a turn-on. It made me want to take her from behind.