JUY-619 - Midnight Bus Predator: Breeding the Lonely Wife in the Dark

There were a lot of harsh reviews, so I braced myself before buying, but it was actually really good. Sure, there are plenty of camera shots where you can't see the actress because the actor is in the way, but [Mihina]'s performance and the 'forbidden act' atmosphere she creates are excellent. It might be a bit hit-or-miss due to some forced staging, but I recommend it for those who like the 'saying no but climaxing anyway' trope.

The male lead was Kaya Minami... I lost interest immediately. It feels so unrealistic when he's the one performing. He mumbles so much I can't even hear his lines. He's dressed up like a pervert with a mask, glasses, and a hat, but he's this huge, muscular guy with shiny, styled hair peeking out from under his hat—I just can't get immersed in a 'pervert' character like that!

*If Mihina Nagai's fans don't treat this as a work where they can enjoy watching Mihina being penetrated while making tsukkomi comments like, "Is she going to do that? LOL," then the whole cast will be doing strange things from the beginning, and you'll probably be left behind. It would have been exciting to see Mihina Nagai being forced into a situation where she couldn't make a sound even if she wanted to, and succumbing to the man's strength, but Mihina Nagai herself seems like a masochist, and I got a strong feeling that she was getting excited by Karami suppressing her voice. If you don't explain why she masturbates while remembering Lingyu, but it doesn't include the fact that she's dissatisfied with her sex life with her husband and has a latent desire to Lingy, you won't be able to understand why she feels it so intensely? There are plenty of funny moments up until the last scene, but fans including myself will say, ``Sometimes... That's a level I can barely tolerate.

The second half is okay, but the camera is either too far away or the angles are so bad that you can't even see the penetration. It's also painfully obvious that it's being filmed from the back seat, so I found myself focusing more on the cameraman than the actual scenes. The premise is good, so if they improve the camera work, I'd love to see this become a series.