
The manager is going on a 2-day business trip. The night before, I took the drunk manager home and exchanged glances with his wife—we've been having an affair for a long time. As soon as the manager leaves the next day, I head straight to their place, grab his wife, and we spend the whole night in a wild, passionate frenzy.










I was really into this actress back then for her pure and elegant vibe. It's a shame she quit so soon.
I really love this actress's expressions and the vibe she gives off. It was incredibly arousing in a way I can't quite put into words.
For some reason, it lacks emotion. That's why I don't find it very exciting. Since it's an NTR theme, the 'craving' after she's completely broken is the key. However, while they have sex like beasts for the last 30 minutes, it's just mechanical—there's no begging for kisses or showing signs of being overwhelmed by pleasure in between. It feels emotionally hollow. Maybe the lackluster male actor has something to do with it.
Since it's a story-driven piece, the pacing does feel a bit sluggish at times. But Riko Mizuki has that 'class president' type of beauty, and with her long hair and erotic vibe, I don't mind at all. I forgive everything.
Jo Oshima plays a rare role as a serious, honest subordinate. I usually think his reptilian features are better suited for villains, but it was surprisingly fitting here. Combined with Riko-chan's submissive wife persona, it matched the drama's world perfectly. The setting is limited to the boss's house—which, to be blunt, is just a low-budget, cramped space—but they varied the locations between the sofa, kitchen, bathroom, and bed, so it didn't bother me much. The kitchen scene was great, but the fleeting intensity of the final bed scene was the highlight of everything I've seen lately. Riko-chan is such a great woman. Her body is beautiful, too. Nothing to complain about.