
A lonely daughter-in-law living in the countryside is caught masturbating by her father-in-law's friend while her husband is away.




















She has beautiful breasts and a curvy body, much like Yoshie Fujie. She's an actress I wish had more works so I could see more of her. There are two scenes with Ryo Kurihara. It's a typical incest plot where a lonely housewife leans on her father-in-law. The scenes follow a cliché pattern: 1) missionary -> doggy -> missionary, 2) doggy -> cowgirl -> missionary (clothed). I wish I could have enjoyed Norie Haga's erotic body more... By the way, there's a scene where the father-in-law saves her from being harassed by a neighbor, which deepens their relationship. I really wanted a scene at the end where the neighbor finds out about their affair and forces himself on her. Content-wise, it's 2.5 stars, but I'm adding a star because I love Norie Haga's body. This work is over 10 years old, isn't it? Back then, incest films were often shot in dim, rural wooden houses or storehouses. I loved that humid, erotic atmosphere, but nowadays I only see it occasionally on FA Pro.
A daughter-in-law, living without her husband, is saved from being assaulted by villagers and clings to her father-in-law. That night, she sneaks into his room and suddenly crosses the forbidden line. The lack of buildup feels unnatural, and the fact that she initiates it is questionable. Also, Norie Haga seems like a newcomer, and her acting skills aren't quite there yet. However, while she isn't exactly a beauty, she has a gentle, rustic charm, and her breasts are quite impressive in both size and shape. There's a certain allure to her, and watching her writhe during intercourse was captivating. I hope she becomes an actress who can deliver lines naturally and appears in more works; she has potential. I appreciate how the final scene implies she might be pregnant with her father-in-law's child, which heightens the sense of immorality. The camera angles that clearly show the penetration are also a plus. In the future, I'd like to see the process of her downfall expressed, even if just through monologues. I hope Director Mudoji and the studio take note.