
夫の三回忌の法事を終わらせ、妹夫婦が休日も兼ねて数日結衣の自宅に泊まることになった。結衣は妹婿、シンに対してかつてからの女の欲情を隠していたのだが…。「もう、堪らないの、あなたのすべてが欲しいの」


















たまたま配信で観てドハマリしたのでアーカイブとして購入。 女優さんは好みのタイプではないが、とにかくエロいお姉さんのドラマとしては最高の出来。
What I felt after watching is that making Yui (Kato) a widow was the right choice. If she weren't a widow, she would have just looked like a bitch—though she looks like one enough as it is. The first and second encounters felt like a gender-reversed world, which was interesting as it completely flipped the common trope of a man forcing himself on a woman. I think the scene in the entryway the day after the first encounter was when the younger sister found out. Yui seemed to realize it and acted defiant. The second encounter looks like a decision to steal Shin (the actor) from her sister. The fact that she couldn't stifle her voice while her sister was nearby suggests she didn't care if she was caught. If the actor had covered her mouth, it might have created a different atmosphere. The sister deciding to have a child after a phone call with a friend is essentially a declaration of war against Yui. Yui just invites him to her room at night, but it would have been interesting if she had said something like, 'I'll do it for you once you have a child.' The fact that the sister stayed awake and prevented him from going to Yui's room shows her intent, and when Yui wakes up to find them gone, it implies they left early and quietly. Shin returning saying he forgot something means he has truly been stolen. I liked seeing Shin's assertiveness in the final encounter. The 'bird' as a narrative item represents Yui early on, but the sister is the one who triggers its release, and the bird bites the sister's finger before flying away. The bird returns in the ending, but it has become Shin, and Yui ends it thinking she can meet him again. Shin has been stolen, but the relationship between the three isn't resolved, likely because the sister seems pitiful. The sister doesn't blame Yui out of sympathy for her being a widow, but the film subtly conveys the emotions between the sisters to us. I expected a messy drama, but the ending is surprisingly refreshing. The actresses gave it their all in every scene, and their boldness was interesting. They can act, too. Maybe they should consider directing in the future? That's all.
*It was my first time seeing this actress, but I made a great decision when I bought it. The combination of cute and slutty was really good. In the final sex scene, she sticks out her tongue and asks for a deep kiss, and she opens her pussy and asks for penetration, and there are many highlights.
Once the seal was broken, it felt less 'erotic' and more 'awe-inspiring.' I ended up forgetting to even finish myself off and watched the whole thing without skipping a single second. I was glued to the screen. I've never seen this actress before, but I'm truly impressed. The casting is great, and while I think there could have been other options for the ending, it's a solid two-hour watch.
I discovered actress Yui Kato through this work. Her acting was shockingly good, with lines that reminded me of the retired Nanami Kawakami (maybe even better), and her technique is superb. I've never seen someone make a male actor ejaculate using only tongue technique without any up-and-down piston motion during oral. It was truly shocking. However, looking at the comments, this seems to be her masterpiece. It's a shame she hasn't been blessed with better projects. Usually, people do the opposite, but I'm going to go back and watch from her debut.