KK-030 - My Neighbor's Busty Mom Came Over and Things Got Wild

Manami Momosaki is cute and her big breasts are a plus. I don't think her 'maternal' acting style is bad either. The first half focuses on the son, but the second half is all about the father. I felt like there should have been more scenes with the son. Also, the transition where she suddenly goes from resisting the father to being super into it at the end felt pretty abrupt. Overall, it's not bad, but it leaves you feeling like something is missing.

*Basically everything went as it had been before, but I was a little disappointed that my child had completely disappeared after my husband's rape. Even though the father and Manami-san were secretly making out with the crew, the child didn't react at all, and even though they were there from the beginning to the end in the final scene in the kitchen, they weren't touched at all. I think it would have been better if there was a scene at the end where the child was also masturbating with the parent's sex (looking at his hands) after the story was over. However, I like this series, and most of all, I love Manami Momosaki, so I gave this rating.

The basic flow is the same as always: starting with breast fondling from her child-actor days, oral sex in the bath, and the loving sex after being violated by the 'father' figure. This time, it featured the same male actor from the first installment, and his approach fits this film perfectly. The actress's performance, especially her begging for raw penetration and creampies during the final scene, is great. I think this is the best entry since the first one. There was no husband character this time, but if they had included a plot point about her trying not to get caught by her husband, the NTR vibe would have made it even better.

*Manami Momosaki is an erotic and impeccable actress, but unfortunately, due to some inconsequential circumstances in the composition of the film, only a fixed camera method could be used, so the material must be viewed only with half-finished distant footage. It is easy to see how transparent pseudo-planning is killing the range of expression of the work itself and getting in the way.