
Yearning to forget her late husband, she fills her void with the raw intensity of eager men. Returning after a year, legendary idol Natsuki Ozawa stars as a grieving widow who seeks comfort in the arms of one lover after another, trading her sorrow for insatiable pleasure in this shocking comeback performance.
Perhaps because she's a former idol, Natsuki Ozawa's face is both mature and cute, which is very appealing. The short runtime of under an hour shows its age, but it's a luxurious work because you get to see her in both Western-style outfits with black stockings and traditional kimono. In particular, the scene where she pulls her black stockings down to her thighs to masturbate was incredibly erotic and arousing.
*I've been a fan since Chukana Paipai. In this work, the acting of the widow's insensitivity and natural eroticism is good. Maybe the eroticism isn't an act, but something real. I like that there are sex scenes in both Western and Japanese mourning clothes, but the scenes in which they are stripped are uninteresting. I really wanted to enjoy sex while exposing her forbidden black mourning clothes. (There was only one occasion where I had my kimono exposed.)
็ญใใชใใ๏ผๅใฎใซใฉใใฏใใใใๅบๆฌ็ใซใใฐใญใ ๅชๆใ็ใฆใใใจใใฏๅคๅฐไฝๅใฎใใใฟใใใพใใใฆใใใใ่ฑใใจใใชใใใคใใ