LZPL-002 - Ripe Lesbian Pheromones: Yu Kawakami

Purchased on February 9, 2018. A collaboration between Kawakami-san and Miyabe-san. Both are excellent at their craft. You can always feel the sincerity in Kawakami-san's kisses. Miyabe-san, who receives them, also engages in seductive and intense kissing. I think it's a very beautiful work. Director Masaki also captured it beautifully from a female perspective. The only downside is that Kawakami-san's approach can sometimes be a bit too forceful. I suppose that's just the script, though.

*She's my favorite actress in the world, so I'm always happy to see Yu Kawakami's movies in this genre. Still, and even by Kawakami's very high standards, this film is one of her best. In the opening scene, director Naoto Masaki tells Yu that he will be going on a date with the very beautiful and sexy Suzuka, which builds anticipation nicely. And well, Ryoka is gorgeous. I also love the outdoor kissing scenes. I'd love to see them have sex indoors, but it's fun to watch beautiful women making out in the sunshine. So by the time they get inside, I'm shaking with anticipation. And I'm overjoyed. To be honest, while lesbian dramas are fun, my favorite type of movies are ones where two beautiful women get together and make love to each other for a few hours, and that's exactly what happens in this movie. It feels very passionate and sexy. And lots of nudity, oral sex, and deep kissing of each other after oral sex - my favorite fetish. This is one of my favorite movies. I have over 100 lesbian movies with Yu Kawakami, but she is my favorite, so I would like to review all of her movies. But I can't do that now. Because I keep coming back to this wonderful, perfect movie over and over again.

I like both Suzuka-san and Yuu-san, so I bought this with high expectations. Their bodies are different—Suzuka-san is curvy while Yuu-san is slim—but their facial features are just too similar. In my opinion, lesbian scenes work much better with 'contrast' rather than 'similarity.' It's much better if one has a 'sauce' vibe and the other has a 'soy sauce' vibe.

It's a rare flop for this series. I don't know if even Director Masaki couldn't do anything about it, or if it was just hard to give directions to such a big-name star. From start to finish, there was a persistent feeling of 'just doing it because it's a job.' There was absolutely no passion. The distance between the two never closed. It leaves a bad aftertaste. It's obvious when you compare it to other actresses' works in this series. I don't know much about this Miyabe person, but for me, both Yu Kawakami and Director Masaki have significantly lowered their reputation with this one. I want to tell them, 'Go learn from Mirai Haruhara!'

I wondered if it was too early to call her a 'mature woman,' but there wasn't a hint of that in their natural chemistry. They had this lovey-dovey aura from the moment they met—their compatibility is perfect. The actual play wasn't anything groundbreaking, but it was so good that the two-and-a-half-hour runtime flew by. You can fully enjoy Miyabe-san's seductive eroticism.