
Mari, the arrogant boss who never misses a chance to belittle her subordinate, finds herself trapped in a sweltering office during overtime. When a group of unhinged men posing as repairmen burst in, her high-and-mighty attitude is shattered. Tied up and helpless, her haughty screams quickly turn into desperate moans of pleasure as she is systematically broken and ravaged by their twisted desires.




















As others have pointed out, the camerawork is abysmal. I've seen cases where fixed cameras make it hard to see the important parts, but in this one, the camera keeps wobbling during moments that should have been steady close-ups. It makes you wish they had just used a fixed camera instead. I feel bad for Mari Hosokawa.
Basically, it's no different from the previous 'Female Boss' series. However, the camerawork is absolute trash—hard to believe it's from Goro Tameike, a director known for prioritizing the actress's facial expressions. There are too many crotch close-ups, and the camera is constantly shaky, which was incredibly frustrating to watch. Since the camerawork in the Honami Kosaka film I watched around the same time was perfectly fine, it makes me suspect he just lent his name to this and let someone else film it. If you want to watch a predictable, formulaic production with terrible camerawork, be my guest. This is a classic example of wasting a talented actress.