
Coming home from school, she's immediately ravaged by her stepfather before she can even change out of her uniform. She hates him, yet the cycle of abuse continues. A tale of lust where women are reduced to sex slaves, awakening hidden fetishes in the process.
I personally like Leona Kanzaki (Kasumi Nanase), so that part was fine, but the story itself felt lacking, which is a real shame.
The flow is: Stepfather's violation โ Kasumi violates/fucks the employee(?) โ bondage play. I believe there are only two sex scenes (the stepfather and the employee), but I don't feel like rewatching it to confirm. As a 'violation' genre film, it's likely lukewarm and half-baked, and I have to question the choice of having Kasumi take on the sadistic role. It's a production where the target audience's intent is completely invisible. Kasumi's skin also looks rough, and the makeup isn't done well. If the actress hadn't been good, this would be a one-star review.
The flashback scenes from her high school days are exceptionally well-done. In the scene where she's being violated by her stepfather at home, the atmosphere of her suppressing her disgust while being licked all over and treated like a toy is captured perfectly. The scene where she takes out that stress by treating her employee like a toy is also erotic, as expected from such a talented actress. After returning to reality, the scene where she's tied up and played with by that old guy Yukimura is just as sluggish and boring as usual; it's pretty forgettable.
It's a drama-style SM production. There's a scene depicting a high school girl being violated, but that's the only actual sex scene. There's a bathroom scene in the middle, but it's completely unnecessary. I was hoping for a scene with the outfit shown on the cover, but... It seems they wanted to create something with a strong narrative on a low budget, but it ended up feeling half-baked. I like the actress and I understand the intent, but the overall quality is lacking.
*Is it an AV drama with some restrictions? I don't know who she is because there are no credits, but there is another woman besides Kasumi. It consists of four views, and it is the fourth view that is bound. This is also light. Well, people who had hits with Ryoโ and Shibari will probably be dissatisfied with this production. Although handheld cameras are used in this work, I think it's good that they don't use that footage much. Well, it's an easy work.