MIAA-214 - ～夫の上司に犯●れる最強美女～捜査官を辞めて妻になったのに… 倉多まお

Watching Mao-chan go beyond her limits and fall is intense. The scene where she's wearing nothing but pantyhose and being violated by a creepy old guy is a masterpiece.

The 'retired investigator turned wife' premise is a twist on the investigator genre that I love. A petty villain who knows her past exploits the former investigator's weakness, ravaging the body of a stoic heroine who can't fight back. The contrast between her gentle, affectionate expressions with her husband at the start and her sharp, dignified investigator-era expressions is perfect. Her bitter, pained expression when facing her nemesis is also excellent. During the first scene, Mao barely speaks, enduring the pleasure with a cool expression (even her pouting face is cute) before gradually showing how the pleasure builds up in her body. The 'trained sexual tolerance' setting works well, and her stoic endurance is incredibly stimulating. Her voluminous, beautiful hips and breasts are as perfect as ever. Nipple licking, armpit licking, cunnilingus, followed by sofa penetration, changing positions, and finishing with an internal ejaculation. Next is the kitchen blowjob, where her glaring expression and 'static' acting are superb. After a scene showing her failing marriage, they move to the entrance and sofa. She starts moaning, but her expression remains one of resistance. Finally, she wears her old investigator suit. Unlike back then, Mao is the one in handcuffs. With a vibrator and oil, she reaches her limit; her face flushes, and her beautiful climax is a sight to behold. Because she falls in stages, her eroticism in this scene is at its peak. Despite her protests, she is brought to climax multiple times by hand, eventually begging for penetration. Her ecstatic expression while being pounded is the best. The ending is typical of this director, but honestly, it doesn't mean much. The post-corruption scene is a bit short; if there had been more proactive, self-seeking play, it would have highlighted her lewdness even more in contrast to the first half. As in other works, this actor's rhythm and timing are self-indulgent and annoying. Being clingy is fine for the character, but he's too excessive and theatrical. Especially in the first scene, while Mao is captivating with her subtle acting and expressions, the actor is just noisy. An actor who doesn't know how to hold back doesn't fit Mao at all in this film. While actresses like Claire or Hikari might fit the character better (though Mao used to play gal or S roles), her ability to distinguish between her peaceful life with her husband and her emotional descent (enduring, breaking, falling) is overwhelming, making me realize once again how skilled she is. Ultimately, it's a highly satisfying 5-star masterpiece (minus one star for the actor).

Personally, this was the best in the series. Her frustrated expression while being toyed with by the bald old man was erotic. I'd like to see more of Kurata-san's work.

Kurata Mao is the best! Whether you're a fan or haven't seen her before, you won't regret buying this.

Cowgirl position on the sofa in the first scene, and a squirt in the final scene while wearing no panties. A work full of Mao-chan's charm!