
Natsu is a germaphobic female student who even her family can't touch. One day, the director of the volunteer center he was participating in asks him to deliver rations to impoverished households, but the destination he visits turns out to be a nest of perverted old men waiting to rape Natsu... She is dragged into a room smelling of semen and forced to cum inside her. She violently rejects the filthy existence that she despises to death, but ends up climaxing over and over again due to the unparalleled piston that repeatedly cums inside her. As a result of being forced to remember dirt and pleasure and having his sense of hygiene destroyed, Natsu...










This film is a perfect distillation of Moodyz's signature transgressive settings, combined with the true value of Natsumi Tojo, an actress who 'charms through performance.' With a 145-minute runtime and a February 2022 release, it serves as a record of the period when her transparency and allure were in their most perfect balance. What stands out first is that Natsumi Tojo's 'cleanliness' is the core of the story. While she naturally possesses a soft smile and an aura that makes you want to protect her, she is a rare talent who can delicately express emotional fluctuations once she enters a role. In this film, the germaphobe setting amplifies that charm tenfold. Her rejection of being touched, her darting eyes, the trembling of her fingertips—each detail is so precise that it transcends a mere scenario, masterfully depicting the psychological process of 'falling.' Her way of 'resisting' is never exaggerated; it is a restrained performance rooted in reality. This is precisely why the contrast between her changing mind and body as she is swept away by the situation stands out so sharply. The flow from the initial germaphobic behavior to the mid-film confusion and the eventual erosion of her values by the end provides an immersive experience, much like watching a drama. Natsumi Tojo's visuals are also unmissable. Her long black hair, translucent skin, and slender yet supple body line carry a sense of elegance that goes beyond the 'pretty girl' label. The way costumes like uniforms and swimsuits are used to contrast with her purity is excellent, leaving a strong impression. The direction utilizing black pantyhose and clothing elements will also satisfy those with specific fetishes. On the other hand, I understand the criticism that the 'insatiable' settings or forced developments feel unrealistic. However, if you view that as a spice to emphasize the 'transgression of fiction,' it fits the film's world perfectly. What matters is that Natsumi Tojo consistently maintains her role, keeping the audience hooked with her persuasive performance. This is where her caliber as an actress truly shines. Overall, this film depicts the conflicting elements of 'beauty' and 'collapse' through the presence of Natsumi Tojo. I highly recommend it to those who want to savor not just simple stimulation, but the nuances of emotional turmoil.
*Even in a series where a beautiful girl in uniform is fucked and creampied by an old man in a garbage house, this work was by far the best. After all, Natsu Tojo's lustful technique in which a beautiful girl in a school uniform with a cleanliness-obsessed personality masturbates with her panties soaked in the scent of her father's semen was amazing. Moreover, the last scene and the final cut where the reason for being raped in the garbage house is revealed were good. She was creampied in her school swimsuit, and the way she opened her thighs and moved her hips to feel the creampie was amazing.
A story about a germaphobic college student who gets broken down by a perverted old man. Tojo Natsu is well-regarded for this genre, but this one is different. She acts out the descent from germaphobia to total breakdown like something out of 'The Shining.' She perfectly expresses the destruction of her psyche through her facial expressions and reactions. There's no gang-rape, but the way it's filmed is incredibly erotic. And her expression of disgust toward the pervert is just irresistible. The first and second scenes should satisfy not just fans of Tojo Natsu, but anyone who enjoys this genre. However, the real highlight isn't the sex scenes, but the scenes emphasizing her germaphobia and the aftermath. The germaphobia is highlighted in the first 6 minutes and a shower scene; if you're a new fan, you must see this. She's still beautiful and stylish, but back then, her translucent skin, firm hips, and silky long black hair made her look even more alluring. Kudos to the cameraman for capturing her so well. Because of those first 6 minutes of pure innocence, you start looking at her differently—even her sitting in a chair or wiping a desk feels sacred. Her pained scream in the shower scene also keeps the pacing tight. I think the post-rape scene is necessary, but if they were going to use that text overlay, it would have been more impactful to show her broken state in front of people unrelated to the incident, like her parents or people she was picking up trash with. Personally, I wish she had picked up trash while naked... If you like her 'slutty' roles, this might be different, but if you became a fan through her 'humiliation' works, this is a must-watch. Also, Tojo Natsu with glasses in this is a permanent keeper. Isn't she truly a once-in-a-millennium actress?
The premise is fresh and interesting. I think it's a very perverted and enjoyable production.
*As usual, Natsu Tojo never betrays me. The amazing way it gets done is the best. Every single word is well spoken, and the first scene that gives an impression of his germaphobia really complements the main story. However, if possible, I didn't want it to fall until the end.