MIDE-759 - Intense reactions 259 times! Vaginal contractions 4900 times! Fluid discharge 10000cc! Abstinence teasing orgasm special awakening!! ~A day where 30 days of pent-up sexual desire exploded~ Yagi Nana

The flow starting from the setting of having accumulated for 30 days is already erotic. Nana-san's shy look gives off a different atmosphere from usual right from the start. Her eyes are already moist before being touched, and the face mixed with expectation and restraint is irresistible. The teasing part is really long. Just tracing with a finger, touching only the edge, stopping right before climax. With that repetition, her breathing becomes rough and her voice trembles. It was the best when her waist moved on its own every time it was stopped.

There's a pre-shoot video common in abstinence-themed content, and a check of the wetness of her 'omanko' (vulva) during the panty check on the day of the shoot. Seeing her soaked in sticky fluids raised my expectations. Finally, the shoot begins, but the first actor's teasing is terrible. The next, Yoshimura, is creepy. But that's good. I liked the toy play, 3P, and bondage. Especially, Yagi Nana shaking her hips and screaming in a way I've never seen before was amazing.

A work filled with Yagi-san's cuteness. I really like how she begs.

This is a typical flow often seen with actresses exclusively contracted to major companies: debut → no experience or first 'iki' → intense 'iki'. Moodies' content adds abstinence teasing to the intense 'iki'. First, there's abstinence in the intro. 1. Teasing Sex She's teased with pussy licking, cunnilingus, and handjobs, and just when you think she's finally getting inserted, he doesn't move at first, and even when he does, he stops or pulls out when Nana-chan feels good, leaving her constantly teased. Just when you think she's about to get a vigorous thrust, it ends immediately... Nana-chan, who throws a tantrum wanting to feel better, is cute but annoying. This takes over an hour. The total runtime is 3 hours and 20 minutes, so it's still acceptable, but it's long. 2. Begging Sex She begs the actor for hugs and kisses, and things proceed smoothly with pussy licking, cunnilingus, handjobs, and fellatio, but it's long again. Insertion also went well, but towards the end, is he teasing her again? Is that a technique? I couldn't tell, but it ended with a somewhat half-hearted feeling. 3. Masturbation It's masturbation, but halfway through, staff? support with toys and handjobs. Nana-chan just wants to feel good. That was good. At the end, she's cute pleading with the staff? saying, "I want to be 'iki'd' by a dick, so please put it in." Nana-chan is still not satisfied at all. 4. 3P This is the main part, right? The remaining 50 minutes. Nana-chan, being attacked by two actors and feeling good, was the best. However, Nana-chan doesn't seem to squirt much, and doesn't look sweaty, so I didn't feel as much intensity as I expected. Maybe that's the direction they were going for. Moodies' intense 'iki' might be about the teasing, but I personally imagined a more intense work that would 'iki' her as the title suggests, so it was different from what I expected, but Nana-chan throwing tantrums, begging, and feeling good was cute, so it's fine♡

Nana, who had previously shown a bit of shyness and hesitation in her previous works, finally unleashes her hidden true self in this work, and I felt a great evolution in her pursuit of pleasure on her own. The scene with the teasing play by the first actor was particularly impressive. The moment Nana struggles with the conflict of "it seems like it will happen, but it won't" and shows a dissatisfied expression was so realistic and attractive that it made me laugh. It felt more like a glimpse of her true self rather than acting. There's been a consistent level of quality with all the works she's been in, including dramas, and this time doesn't betray those expectations either. Another highlight is the bondage scene. The process of being tied up naked and spread out is depicted in detail, and the excellent direction gradually increases the tension and shame. The contrast with the subsequent punishment is also wonderful, creating a composition that stimulates the imagination. Amidst the intersection of limits and tension due to abstinence, she also shows a boldness unlike anything seen before, and her growth as an AV actress is clearly revealed. Overall, this is a worthwhile piece that allows you to enjoy a new side of Nana. My expectations for her next work are growing even more.