
Investigator Mizuki, who has completed numerous undercover missions. This time, she infiltrated a deal involving [oil containing aphrodisiacs]. It seemed like a simple mission, but she was captured and detained by a dark organization. What awaited her was pleasure torture. "Surely rescue will come..." She clung to hope and desperately endured, but the more she endured, the more pleasure she felt, and she easily reached orgasm. "It's more powerful than during training." Amidst the endless Akme torture, she was trained with her penis, causing her slender body to twitch and spasm in orgasm. In the end, she's just a woman. There was no sign of Investigator Mizuki in the bitch who had fallen into pleasure.










*I didn't really read the title, so I watched it just because I like Aime Mizuki-chan. It was a work that relied entirely on oil, and Mizuki-chan's natural water did not come alive. The title says "Oil Torture", so it was structured as that, but it wasn't my personal preference.
*There are a lot of stories about female detectives and undercover detectives that are quite exciting, but the screen in all of them is so dark that it's difficult to get over them. However, the screen of this work is bright and easy to pull out. Considering the purpose of the viewers, there is no need to look for reality in strange places, so being able to clearly see the actress's face and body is highly praised.
This series takes a tactic of going undercover and proactively using seduction, so it's a little disappointing and regrettable that it ends without showing a strong female detective mode, starting with being drugged from the beginning! But since it was Aiba Mizuki this time, well, maybe this is okay?
The title isn't lying: kidnapped female detective, aphrodisiac oil torture. The 'acme hell' is an exaggeration, and whether or not it's included is where the divide in opinions on this work lies. The basic premise is that Mizuki-san, slender and fair-skinned, writhing in ecstasy as she's covered in aphrodisiac oil, and her beautiful body spasms at climax. It's impossible not to be excited. True to the title (since it's an investigation involving aphrodisiac oil), every scene is filled with oil, and the fact that it looks really good on Mizuki-san's slender body is a high point. The problem is how the 'acme hell' is depicted (or rather, not depicted properly...). It's unclear if it's the intention of the directing, but there isn't much depiction of the process of falling. In the beginning, she honestly succumbs (or pretends to) for the sake of the investigation (to confirm the effect of the aphrodisiac oil and to let her guard down). Afterwards, assuming the aphrodisiac oil is working to some extent, it's a repetition of similar plays like 'enduring to some extent (while resisting), but feeling it and going,' and honestly, the monotony is undeniable. However, personally, I prefer a more natural feeling to exaggerated screaming or excessive twitching, so I didn't dislike the overall direction. Moreover, the play itself in each chapter is beautiful, sensual, and I was able to enjoy Mizuki-san's changing expressions and bodily reactions without being excessive (good). โปI understand that a 'natural feeling' could also be interpreted as 'just being dragged around' or 'looking like a very ordinary entanglement'โฆ. On the other hand, I was also expecting to see Mizuki-san's characteristic, and arguably her virtue, a beast-like play where she splashes water and goes wild, so there's a slight sense of disappointment. It's loose until the third entanglement, and then suddenly falls intensely (though still looser than other works) in the last 3P, which feels out of place. While I liked the natural feeling up to the middle (second entanglement), I wish there was more effort put into the third entanglement, and if the ending had a more intense, wild Mizuki-san, it would have created a better balance in the play (a shame). โปSo, it's understandable why some people would have the impression that 'Imara is just a fellatio' or 'the piston is also loose'โฆ. In conclusion, whether the play is good or bad is fifty-fifty. However, I was able to fully enjoy Mizuki-san's oil-covered body and natural excitement, so I'll give it 4 stars.
Aiba Mizuki, you can't help but be excited by her white-skinned slender body glistening with oil. Giant Hirota's verbal abuse is insufficient. It wasn't good that she was wearing underwear at the beginning when being teased with toys. I dislike the boss-like role of Oshima. There are various things I don't like, but I guess I'll give it points for Setsuna and her having two encounters.