
The pinnacle of pink cinema and a living legend of the adult industry, Kyoko Aizen, makes her final move with this retirement performance. Experience the raw, authentic technique of a woman who has seen it all. This is exactly why she is called the queen. โปBonus features include main parts 2 and 3.










Since this was Kyoko Aizen's retirement film, I watched it for the first time despite it being 15 years old. Itโs been 15 years since she retired, but she was in her 50s at the time and still had such a beautiful face and, in my opinion, a great body. Nowadays, there are quite a few actresses who debut in their 50s, so watching this makes me wish she had stayed active longer. The film interweaves interviews with photos and footage from her youth, culminating in her final performance. Seeing her being held from behind by a young actor, getting teased, and acting shyโit felt so fresh, almost like a newcomer, despite her being a seasoned veteran. I really enjoyed it.
It's been 40 years since I first enjoyed Aizen Kyoko's nudity, and it's been lonely not being able to see her for the last 12 years. I just wish she'd make a comeback so I could see her at 60. That's all I hope for these days.
Kyoko Aizen may be a veteran actress and director of pink films, but she isn't a professional at 'occupational sex.' While she has plenty of tricks for simulated sex on set, she lacks the techniques and acting skills that adult-industry-trained mature actresses use to efficiently bring a man to climax. What Kyoko Aizen possesses is a genuine reaction synchronized with the protagonist of the work. As she says in the film, 'I try to feel it for real even during simulated scenes,' and she truly captivates with that sincerity. I was particularly moved by her fading whisper of 'That was amazing...' right before the camera faded out after the first real sex scene. Her fellatio, masturbation, and the moment of penetration all feel incredibly authentic, almost fragrant, without a hint of artifice. There are many sexy mature actresses out there, but Kyoko Aizen, who has embodied the very words 'lewd' and 'obscene' just by existing, is absolute. Itโs a shame that the direction and the male actor seem a bit hesitant, perhaps intimidated by her presence. Also, the bonus disc featuring a collection of other mature actresses is completely unnecessaryโI don't get the point. I strongly hope for a remastered re-release that cuts that out and increases the runtime of Aizen-san's actual scenes instead. As these are some of the few 'real' works she left in the AV industry, itโs the common wish of all her fans to see every single movement in detail. Above all, I can't help but hope she makes a comeback and stars in at least a few more films with a solid script.
This was filmed when she was 52. I've been a fan since her gravure days before the hair-unveiling era, so it's harsh to compare her to her prime, but in all three sex scenes, she keeps her underwear bunched up around her stomach. Even if it meant showing her belly rolls, I wish she had gone fully nude. The masturbation scene starting at the 75-minute mark was worth watching and actually got me aroused. I just wish they had filmed this at Madonna, where they have better mosaic artists. CD1 features interviews interspersed with Aizen's sex and masturbation scenes, but CD2 and CD3 are just a random collection of unrelated scenes. I don't know why they included such filler; perhaps they felt guilty about selling a product based solely on Aizen's body, which has lost its commercial appeal? Personally, I still find her body, moans, and expressions quite erotic.
Brings back memories; I used to sneak peeks at adult magazines featuring her when I was a kid. I'm surprised she's still active, but I just want to say she's done a great job all these years.