MISM-431 - Throat Deep Scriptures (Mad Heaven) Miike Koharu

*It's been 9 years since the release of the masterpiece series that rewrote the history of hard AV, ``The craziest deep throat in history, thrusting until you vomit'', and the masterpiece of deep throat works by Emukko Lab and director Ai Kurokokoro will be released in 2026. A super ``craziest in history'' deep throat work that updates the previous ``craziest in history''. Beyond what seemed to be the limit, there was an unseen end. Koharu Miike taps repeatedly. A desperate SOS from a woman whose mouth was ruthlessly covered with a cock. Of course, it's a treat for users to see him flapping his feet in a panic on the verge of suffocation, but the limits of this work are still far in the future. Even if the actress can't breathe, she just doesn't let go and keeps screwing his cock in. The persistence is amazing. What will particularly excite viewers is the one-on-one with actor Iramacho in Part 2. Is it possible to drive a woman this far with just one cock? Koharu was teased for more than 40 minutes in the deepest deep erotica that stops the target's breath, which is only seen during deep throat ejaculation in normal hard erotica works, and became completely groggy. The strangely viscous backflow of juice from inside his body covered his face, making him look so sloppy and dirty. The content is 100% satisfying and meets the viewers' desire to see more of the limitations of actresses. Also, the high level of performance of the actress who accepts this is indescribable. For example, the scene after ejaculation deep in the throat in Part 1. Even though her whole body was flailing and she clearly exceeded her limits, I could see her pride as an AV actress and as a meat urinal in her desperate efforts to tighten her mouth so as not to spill the semen inside her mouth. (This girl is also incredibly good at opening her mouth and showing off the semen that has accumulated in her mouth.) Above all, no matter how cruelly she is treated, everyone can't help but love her as she tearfully expresses gratitude to the staff at the end. Because she faced the hard content seriously as an actress, the beauty of her fundamental humanity, which is not just her superficiality, is exposed. This can only be conveyed through AV. Koharu Miike is a really, really good woman and a wonderful woman/actress. It is inevitable, yet miraculous for users, that the masterpiece of director Ai Kurokokoro's masterpiece, Emukko Labo, was a work in which she appeared. No matter how many AVs you watch, there are very few opportunities to come across a work that makes you feel confident that you will be indebted to it for the rest of your life. This work is a rare piece.